Steven F. Udvar-Hazy Center

16 01 2010

We toured the Smithsonian National Air and Space Museum/Steven F. Udvar-Hazy Center yesterday afternoon with Michael’s sister, Ann. Although it opened almost a decade ago, we hadn’t been out there until now. Since Ann is an engineer and has designed brake systems for business airplanes, we thought she might like this excursion. (We also learned that “Hazy” is pronounced “Haa-zee,” not “Hay-zee.”—good to know we were wrong all these years!)

Whether you’re an airplane enthusiast or not, it’s a spectacular collection of 163 aircraft, 154 large space artifacts, and more than 1,500 smaller items. I was amazed at how small the cockpits were in some of the smaller planes—some look like they could only hold a person the size of a 10-year-old! There are two hangars: the Boeing Aviation Hangar is 103 feet high, 986 feet long and 248 feet wide (293,707 square feet); the James S. McDonnell Space Hangar is 80 feet high, 262 feet long and 180 feet wide (53,067 square feet). The museum has an observation tower (164 feet high—seen in the last photo), a 479-seat IMAX Theater, three multimedia classrooms, a museum store, public dining facility and simulators. Admission is free (IMAX movies additional). Open daily, 10 a.m. – 5:30 p.m. (closed Dec. 25)

One of my favorite planes was the incredibly shiny Boeing 307 Stratoline Clipper Flying Cloud (the large silver plane in the second row, right). This plane was the sole surviving Boeing S-307 Stratoliner, arriving at Dulles International on its last flight, August 6, 2003.

The Fulton Airphibian FA-3-101 (the red plane that looks like it’s broken into two parts) caused me to do a doubletake. The Fulton Airphibian was the first roadable (never knew that word existed!) aircraft designed to be used as a car or an airplane (how convenient!) certified by the Civil Aviation Administration in 1950. According to the Smithsonian’s website: It could fly to an airport and then, after disengaging wings, tail, and propeller, become a car. While a technical success, the Airphibian did not become a marketable design. The weight of its automotive parts caused sluggish performance in the air, a problem with all aero cars—average speeds were 160 kilometers (100 miles) per hour in the air and 89 kilometers (55 miles) per hour on the road. A former company officer donated the Airphibian in 1960 and Robert Fulton III restored it in 1998.

Another interesting plane was the Waterman Aerobile (the cartoonish-shaped blue and white plane, 2nd from bottom of collage). This vehicle made Time Magazine‘s “50 Worst Cars of All Time” list. You’ll see the Concord Air France directly below the Waterman Aerobile in that photo. At 202 ft., 3″ in length, it spanned the entire width of the building!

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The information below is from the exhibit signage:

Boeing 307 Stratoliner Clipper Flying Cloud—First flown in late 1998, the Boeing 307 was the first airliner with a pressurized fuselage. It could carry 33 passengers in great comfort and cruise at 6,096 meters (20,000 feet), while maintaining a cabin pressure of 2,438 meters (8,000 feet). This enabled the Stratoliner to fly above most bad weather, thereby providing a faster and smoother ride. The Stratoliner incorporated the wings, tail, and engines of the Boeing B-17C bomber. The wide fuselage was fitted with sleeper berths and reclining seats. The wide fuselage was fitted with sleeper berths and reclining seats. Ten Stratoliners were built. The prototype was lost in an accident, but five were delivered to TWA and three were purchased by Pan American Airways. TWA owner Howard Hughes purchased a heavily modified version for his personal use. The airplane displayed here was flown by Pan American as the Clipper Flying Cloud. Boeing restored it in 2001.

Waterman Aerobile #6In 1934 the Bureau of Air Commerce recognized the Waterman Arrowplane as one of the two award-winning designs for its flivver (light, easy to fly, and affordable) aircraft competition. Waldo Waterman’s improved Arrowplane, the Aerobile #6, fulfilled his dream of designing a tailless roadable airplane. The Aerobile was a two-place, high-wing, cabin monoplane with a transmission drive system that operated the propeller in the air and the rear wheels on the ground. The one-piece wing was removed by moving a lever and pins. Painted in “Buick blue,” it had many standard Studebaker, Ford, Austin, and Willys automobile parts to keep the price down and maintain the look of a car. It received FAA certification in the experimental category in 1957, but no market materialized. Gift of Waldo Waterman
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Several exhibits showcased various cameras—including a Graflex Model RB used by Charles and Anne Lindbergh. Click here to see some of the other still and movie cameras on display. Another interesting exhibit was the Apollo 11 Objects Collection, shown here.

The last photo in the collage below is of the front of the museum at dusk—how serendipitous to have an airplane passing through at the time I captured the image!


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Ann

15 01 2010

Michael’s younger sister Ann was in town this week for training for her job as an engineer (she previously designed brakes for business class planes and is now in a supervisory position). She added a day on to visit us and we spent the afternoon exploring the Smithsonian National Air and Space Museum/Steven F. Udvar-Hazy Center near Washington Dulles International Airport. If you like the Air and Space Museum on the Mall, you’ll love this center—it’s spectacular! Steven Ferencz Udvar-Hazy, owner of ILFC, the largest owner of aircraft in the U.S., is responsible for a $65 million grant to the Smithsonian Institution. This grant allowed for the building of the Udvar-Hazy Center annex, which houses more than 120 aircraft and 140 space-exploration exhibits.

Later in the evening I photographed Michael and Ann together for our wedding album (since there weren’t any photos of them together at the event), and cajoled Ann into posing for a quick “cover girl” session afterward. And it was quick—we got our session done in less than 20 minutes—and that’s a record for me for a portrait session like this. She was excited because she was able to take 4×6 prints home to surprise her husband. I made the prints on my little Epson PictureMate printer that I picked up for just $25 at Ritz when they were closing last spring. That little printer is fast and although prints are a bit more than getting them done at Costco, you can’t beat the convenience of printing images you just shot 15 minutes earlier and at almost midnight, too!

© Cindy Dyer. All rights reserved.





Just had to share this…

15 01 2010




HLM Cover Feature: Guitarist Charles Mokotoff

12 01 2010

The January/February 2010 issue of Hearing Loss Magazine, published bimonthly by the Hearing Loss Association of America (HLAA), is in the mail to members this week. Classical guitarist Charles Mokotoff is our cover feature.

The original cover I had done earlier just wasn’t doing it for me…so I went through all the photos I’ve shot of Charles since March to see if any of them really popped. This one was originally shot horizontally, so I tilted it in Photoshop and filled in the gaps with the background to form this vertical cover image. Now this is a cover! I love the movement blur on his hand at the neck of the guitar. Purely unintentional—downright serendipitous! Bonus: You can even see his hearing aid—always a plus for a magazine focused on hearing loss.

I shot this issue’s cover when he played for the HLAA staff this past spring. I first profiled Charles on my blog in November here. I did some outdoor shots for the interior pages in mid-November, then went to hear him play and photograph him at a recital for the Friday Morning Music Club in the Old Town Hall in Fairfax, Virginia on November 19. Read that posting here. And finally, Charles was our well-received live entertainment at our first-ever Tapas Party on November 14. You can read about that party and see photos of the soiree in my posting here.

To learn more about Charles, visit his website here. Listen to sound clips here. You can order his CD, Autumn Elegy, from CD Baby or itunes.com.

Charles will be performing at two venues in March:
Central United Methodist Church
at 4201 Fairfax Drive in Arlington, Virginia on Friday, March 5 at 7:30 p.m. He will perform a recital of solo guitar works by Scarlatti, Albeniz, Boccherini, Rak, Mozart and others, and will be accompanied by Barbara Cackler on piano. For more information, call 703.527.8844. (Free, goodwill offering accepted)

On Saturday, March 20, at 8:00 p.m., he will perform at the St. Albans Episcopal Church, 3001 Wisconsin Avenue, N.W., in Washington, D.C. He will perform a recital of solo guitar works by Scarlatti, Albeniz, Boccherini, Rak, Mozart and others, with accompaniment by Sonya Sutton on the harpsichord. For more information, call 202.363.8286 or e-mail ericg@st-albans-parish.org. (Free, goodwill offering accepted).

You can download and read the article by clicking here: Charles Mokotoff HLM Feature





Ooooh, buy me this!

6 01 2010

One blog led me to another and I stumbled onto “Lull,” the lamp that opens and closes like a flower! It’s designed by Varmo, an award-winning Norwegian design group. Clever folks, those Norwegians! Check out the Lull website here: http://www.lull.no/ Below is an animation of how the lamp works.





Outta my way!

6 01 2010

This is one of my favorite Polaroid transfers. I shot the original image (Velvia transparency) one summer at the Inner Harbor in Baltimore, MD. While the original isn’t a bad image, it has more impact as a transfer, I think. This image was one of many I posted in a collage in October 2007 on this blog. See that posting here. I’ll post some more of those images enlarged and individually in the future. I’ve also run across some additional transfers I hadn’t scanned yet, so I’ll post those when I do.

FYI: I found this link here on photographer Holly Francis Dupré’s website. She has developed a comprehensive guide to creating Polaroid transfers that is free to download.

© Cindy Dyer. All rights reserved.





Boat in Lunenburg, Nova Scotia

6 01 2010

© Cindy Dyer. All rights reserved.