Melissa Puleo Adams: Sixth Time’s a Charm

12 09 2012

Melissa Puleo Adams graces the cover of the September/October 2012 issue of Hearing Loss Magazine, which I design and produce bimonthly for the Hearing Loss Association of America. I met and photographed Melissa for the magazine in May when she was in town visiting her parents, Joe and Lisa. Barbara Kelley, the editor-in-chief of Hearing Loss Magazine, interviewed Melissa this summer. (Cover photo © Cindy Dyer)

Sixth Time’s a Charm

by Barbara Kelley

It’s fall and that means one thing to a lot of people in this country—football! True grit on the gridiron not only stirs passion from spectators, it contributes to a multi-billion dollar sports industry in the United States. According to Plunkett Research®, Ltd., sports, with football at the top, is big business. “Combined, the ‘Big 4’ leagues in America, the National Football League (NFL), National Basketball Association (NBA), the National Hockey League (NHL) and Major League Baseball (MLB), bring in about $24 billion in revenue during a typical year, but that’s just the tip of the iceberg. U.S. sporting equipment sales at retail sporting goods stores are roughly $41 billion yearly, according to U.S. government figures.

A reasonable estimate of the total U.S. sports market would be $400 to $435 billion yearly. However, the sports industry is so complex, including ticket sales, licensed products, sports video games, collectibles, sporting goods, sports-related advertising, endorsement income, stadium naming fees and facilities income, that it’s difficult to put an all-encompassing figure on annual revenue.” (www.plunkettresearch.com)

What About the Cheerleaders?
Yes, cheerleaders are part of this lucrative sports industry. NFL Cheerleading is a professional cheerleading league in the United States. Most of the NFL teams have a cheerleading squad in their franchise. Cheerleaders are a popular attraction that gives a team more coverage/airtime, local support, and increased media image. Think Dallas Cowboy Cheerleaders or their rivals, First Ladies of Football, Washington Redskins Cheerleaders.

For the NFL, the Baltimore Colts was the first team in the NFL to have cheerleaders in 1954. These girls were also a part of the historic Baltimore Colts Marching Band. The only NFL teams without cheerleaders are the Chicago Bears, Cleveland Browns, New York Giants, Detroit Lions, Green Bay Packers, and the Pittsburgh Steelers. The February 2011 meeting of the Packers and Steelers at Super Bowl XLV was the first time a Super Bowl featured no cheerleaders. The Packers do, however, use a collegiate squad from time to time in a limited role to cheer at home games.

Apply Here
I was curious. Besides being able to hear the music and follow the beat, what other qualifications do you need to be an NFL Cheerleader? So, I went online as if I were going to apply to become a “Charger Girl,” the cheerleading squad for NFL’s San Diego Chargers. I got so excited when it said “Be a part of the Hottest Dance Team in the NFL! Charger Girls Audition.” Using my super-sized imagination, I went through the list of requirements to see if, by any slim chance, I could apply.

• You must be at least 18 years old by the date of the preliminary audition. There is no maximum age limit. (Check! Whew, good thing.)

• There are no height or weight requirements. (Check! Oh boy, got lucky again, so far, so good.)

• Team members must have flexible schedules for twice-weekly rehearsals, games and appearances during and prior to the season. (Check! This might be tough but I have some vacation time coming.)

• Team members must attend a mandatory weekend mini-camp. (Check! My husband can hold down the fort.) 

• Team members must have a means of transportation. (Check! I’ll take the family SUV; it’s a little trashed from kids’ cleats, mud, and empty Gatorade bottles, but it’ll work fine.)

Also from the application:

“The Charger Girls uphold a high standard of quality dance performance and community involvement. The Charger organization feels strongly that the cheerleaders should complement the professionalism represented on and off the playing field. During the preliminary audition process, applicants will be judged on dance ability, crowd appeal, showmanship, and individual applications. For finalists, there is an interview process and a final dance audition.”

Highlights of being a Charger Girl:

• Experience the thrill of performing in front of more than 65,000 fans

• Perform at San Diego Chargers home games in Qualcomm Stadium

• Participate in the annual swimsuit calendar photo shoot

• Serve as ambassadors for the Chargers organization as well as the San Diego community

• Bring smiles to underprivileged children

• Have local and national media exposure

• Work with many of the nation’s top choreographers

• Donate time and talent for various charity events

• Make invaluable friendships with fellow teammates

Wow, this was sounding great.

And finally, in big bold letters, the application states:

“IF YOU ARE NOT PREPARED TO MAKE A FULL ONE-YEAR COMMITMENT TO THE SAN DIEGO CHARGER GIRLS THEN YOU SHOULD NOT AUDITION!”

Okay, deal breaker, count me out. But, now I know that auditioning for this job is not for the faint of heart. I watched some of the auditions on the Internet to learn more about what is behind the women who are brave enough to try. You have to be talented, athletic, outgoing and more. One woman, Kei, came all the way from Japan just to try for this coveted role.

But there is one young woman who stands out among them all—Melissa Puleo Adams. She’s a tenacious, spirited girl, who caught the attention of ABC’s Good Morning America and who was interviewed on the program last year. By the way, Melissa happens to have a hearing loss. Now, she has our attention.

Meet Melissa Puleo Adams
Melissa, (29) was born in Brooklyn, New York, raised in Gaithersburg, Maryland, and now lives in Carlsbad, California. She graduated from James Madison University in Virginia in 2004. Her parents, Joe and Lisa, live in the Washington, D.C., metro area and we met her when she was home to visit. When you ask her dad about his daughter, he says, “Her mom and I would say how proud we are of all Melissa has achieved despite her hearing loss. She is smart, compassionate and determined.”

How did she do it when getting the routine right depends on hearing the music and the numbers being called out? She neither had the roar of the crowd nor the loud music to fuel her. Even the football referee’s whistle was too high-pitched for her to hear. Melissa Puleo Adams talks about the people who helped her along the way and her perseverance to making her dream of being a Charger Girl come true. (Photo courtesy of the Charger Girls)

In Melissa’s Words

Your hearing loss… when was it detected and was it treated?
I was five when my hearing loss was detected by my kindergarten teacher. My teacher notified my mother that she noticed I wouldn’t turn around when called at times. My parents took me to an ENT to get my hearing tested and they discovered that I had a hearing loss in both ears. I was fitted with two behind-the-ear (BTE) hearing aids at age five.

What about school, the classroom, friends?
I was fortunate to have a pleasant grade school experience due largely in part to a great family support system, and a positive attitude. When I was first fitted with BTE hearing aids, I proudly wore my hair up with confidence, showing them off to all my friends and classmates. My friends all thought my hearing aids were ‘so cool’ and wanted to try them on and get a pair of their own.

However, in high school and college I was shy, maybe embarrassed, about my hearing loss. I no longer told my peers about it and kept my hair down to cover my hearing aids. I always thought what guy would want to date a girl who wears hearing aids? I didn’t know anyone else with a hearing loss. This didn’t affect my positive outlook, although I’m sure having a friend to relate to may have helped during my high school years.

In terms of teachers and school, I still continued to tell the teachers on the first day of class that I needed to sit front and center and that if they turned away from me to face the blackboard then I probably wouldn’t understand what they were saying. I did the same in college and talked to the professors after class if I thought I missed something.

Speaking of college, how did you decide on your major when you had so much interest in dancing?
When I first attended James Madison University, I had an undeclared major and had no idea what I wanted to do. As a freshman, I declared Business as a major because it felt like a suitable, broad option. Though I enjoyed my business classes, the artistic/creative side of me felt ignored. I decided on Media Arts and Design with a concentration in Interactive Digital Media. Classes consisted of graphic design, web design, communications, media, broadcasting and copywriting. This was right up my alley because I’ve always been creative. When I was little, I used to write stories and mini-books complete with pictures. I also loved making up plays and making my little brother, Marc, and our friends perform the parts I created for them in front of family and friends.

Did you take dance lessons as a child? There must be a segue to wanting to become a Charger Girl.
My mom put me in tap and ballet class when I was five (same time frame when my hearing loss was detected). I fell in love with it immediately and knew that I wanted dancing to be a part of my life forever. I have always been an avid exerciser but to prepare for the Charger Girl auditions, I took more dance classes on top of my usual cardio and weight-training routine. Taking dance classes not only helped me brush up on my skills, but also helped train my memory for learning choreography.

When did you start thinking about becoming a Charger Girl?
I’ve always had the dream of becoming a professional dancer when I started dance lessons. When I moved to San Diego from Maryland in 2005, I heard of the San Diego Charger Girl auditions. They have a great reputation of being a fantastic group of women and I wanted to be part of it.

What about your audition?
I first tried out for Charger Girls in 2005. The auditions are always held in March or April. My hearing loss made it more difficult for me because the auditions were in a huge auditorium with an echo. Once I got the dance routine started, I would be totally fine, but the main challenge was starting on the right beat. Sometimes I would use my peripheral vision to look at the girl to the right or left of me to see when to start. It is a vigorous audition process. More than 400 girls audition for a spot on a team of 28. There are preliminary tryouts first, after which they make two cuts. You learn choreography and then you must perform for a panel of judges in groups of three. About 60 girls make it to the final rounds which include a one-on-one interview, a group interview, and a final dance audition. You have to prepare a solo dance to showcase to the final judges as well. It is nerve-wracking but the adrenaline that pumps through you gets you through it!

So, what happened next?
I didn’t make it. I tried out again in 2006. I didn’t make it. Again, in 2007. No, again. I tried again the next two years in 2008, 2009. No and no. That’s five tryouts.

After one rejection, most of us would have moved on.
For five years, after rounds of dance auditions and interviews, I had the same experience. All of us sit together holding hands, eyes closed, hoping to hear our audition number called. It’s an intense moment. The first five times my number was not called, it was tough. I had friends who would make the team and it would be a bittersweet moment. I was thrilled for them but I had to go home, year after year, not as a Charger Girl.

Though it was hard not to make it, and especially not to know why you weren’t picked for the team, I knew this was something I could do well if given the chance. I was not giving up on my dream. Well, all I can say is: Hence, if at first (second, third, forth, and fifth in my case) you don’t succeed, try and try again.

And, in 2010, what happened?
My number was called after my sixth audition! It was one of the most memorable moments in my entire life. I waited six years to hear my number called! I’ll never forget that moment.

Is life as a Charger Girl what you expected?
I was a Charger Girl for two NFL seasons, 2010–11 and 2011–12. I had the most incredible experience and can say it was all that I expected and more. Some of the teammates I had will be my friends for life. The director, Lisa Simmons, is an amazing leader and I’m proud to call her a friend of mine.

Now, what about your hearing loss?
My hearing loss was always accommodated. I couldn’t believe the amount of support I had from my teammates and director. At every practice, girls would repeat things that were said to me. For each dance there would be a girl close by me who would give me a signal (tap on the leg, quietly mouth the count—5, 6, 7, 8—or shake her pom) so that I would know when to start the dance. Most times I couldn’t hear the music when I was on the field so this system ensured that I would never be off beat or lose count. That is why I call my teammates friends. They could have easily looked out for themselves first with little regard for me. I will never forget that. (Family photo © Cindy Dyer)

What are you doing now?
I decided not to audition for the San Diego Charger Girls for another season. The two seasons I had were incredibly good to me, but I have other exciting things planned for the future. I am currently self-employed as a marketing manager, event coordinator, and graphic/web designer. I’ve been dubbed the “Get It Done Expert.”

In June I became certified to teach barre3, a mixture of yoga and pilates, using a ballet barre. It’s a fantastic workout that tones your entire body, and the best part is that almost anyone can do it! Being an instructor poses a new challenge with my hearing loss, but as always I’m up for the challenge.

Future plans?
I have a couple of other business ideas in the works I plan to unleash on the world in the future. I can’t share them quite yet. I also want to have a family down the road, but in the meantime, I am enjoying this stage of my life and embracing any opportunities that arise.

Who or what is the most important to you?
My family—without them I wouldn’t be the person I am today.

What do you like to do in your free time?
I love being active—hiking, Bikram yoga, hanging out at the beach, taking my dog, Drama, for a walk. (Yes, his name really is Drama, named after the Entourage character, Johnny Drama…it suits him.) I cherish my time with my friends. I’ve learned over time to surround yourself with people who make you happy—life’s too short not to. (Photo © Cindy Dyer)

What is the hardest thing you’ve ever done?
Honestly, every day is a challenge. Little things such as listening to the radio in the car with the windows down, using the phone, jumping in the pool, aren’t as easy for me as they are for those with normal hearing. It’s all about your attitude. I just stay positive and cherish all the amazing things that I do have in my life, especially my supportive family and friends.

If someone tells you that you can’t do something…
… it makes me want to do it more!”

To find out more about the Charger Girls, go to http://www.chargers.com/charger-girls/. Melissa Puleo Adams can be reached at melissapuleo@gmail.com.

Barbara Kelley is editor-in-chief of Hearing Loss Magazine and deputy executive director of the Hearing Loss Association of America. She can be reached at bkelley@hearingloss.org.

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Hearing Loss Magazine: 2012 Recap

28 11 2012

The last issue in 2012 of the Hearing Loss Magazine (HLM), published by the Hearing Loss Association of America (HLAA), just arrived in member mailboxes last week. I design the bimonthly magazine and provide photography services to HLAA. Here is a recap of the issues published in 2012.

Tina and Tom Hamblin were the cover feature for the January/February 2012 issue. Tina contacted me in fall 2010 after seeing the wedding photos I shot for Todd and Abbie Hlavacek in September 2010. Todd and Abbie are also members of HLAA and Abbie wrote her cover story for the May/June 2008 issue (recapped here). Cover photo © Cindy Dyer

I first met Tina and Tom when they arrived for their engagement photo session at my favorite location to shoot, Green Spring Gardens, in Alexandria, VA in spring 2011. After we did our portraits around the garden, Tom started doing cartwheels (he’s a gymnastics coach) and I captured him in full motion—making it the first time I’ve ever photographed someone doing anything gymnastic. I captured him in his wedding finery doing some handstands and cartwheels on his wedding day as well! My colleague Ed and I photographed Tina and Tom’s wedding on October 8, 2011 in Kurtz Beach, Maryland.

I asked Tina and Tom if they would write a sort of “his and her” story for the magazine about their respective hearing loss, how they met, and how they support each other. The title of their article, “Taking the plunge,” refers to both the turning point in their friendship and their recent marriage. You can find Tina blog’s here and Tom’s all-things-gymnastic blog here. Their cover story is available in pdf format here: Tom&TinaHamblin Feature

Also in this issue: Audiologist Brad Ingrao focused on the best practices for hearing assessment and hearing aid fitting in Getting it Right the First Time: Best Practices in Hearing Aid Fitting; Gael Hannon showed us a practical look at information that would be helpful to those who have hearing loss in What the Professionals Should Tell Us; Michael Ann Bower discussed what people with hearing loss can do to avoid the misdiagnosis of dementia when hearing loss is the issue in Hearing Loss and Dementia; and Barbara Kelley interviewed young jazz singer Mandy Harvey in Musically Inclined.

The March/April issue featured the host city for the upcoming Convention 2012—Providence, Rhode Island. HLAA’s Director of Marketing and Events, Nancy Macklin, presented a comprehensive guide to the upcoming convention in this issue.

Also in this issue: Audiologist Brad Ingrao discussed cochlear implants in Plugged in for Sound: Cochlear Implants Today; Scott Bally outlined the Five Most Effective Speechreading Strategies; Renowned audiologist Mark Ross talked about hi HealthInnovations Hearing Aid Dispensing Program; Meredith Low, a pro at planning and making sure that the communication environment is arranged so she can enjoy the party as much as her guests, offered great tips in Welcome! Easy Entertaining for People with Hearing Loss; Pamela Selker Rak shared her experiences with hearing loss in Lost in Translation: How a “Lost and Found” Friendship Opened My Eyes to Hearing Loss; Lise Hamlin focused on HLAA’s efforts in Advocacy: A Few Hot Issues, and HLAA member Netegene Fitzpatrick crafted a special Word Search puzzle for her fellow members to solve.

Richard Einhorn, award-winning composer, was the cover feature for the May/June 2012 issue. In his article, Einhorn wrote about his sudden hearing loss and how, with his clever uses of existing technology, he continues to work and live well with hearing loss. You can read excerpts on my blog post here. For the full article, click on this link: Richard Einhorn

I had the honor and pleasure of photographing Richard in March 2012. Barbara Kelley (HLM’s editor-in-chief) and I met up with him at the Peabody Conservatory in Baltimore. After a great photo session, we dropped Richard off at his hotel and picked him up later to take him to the Meyerhoff, where his work, Voices of Light, was being performed by the Baltimore Symphony Orchestra, with Marin Alsop conducting. Einhorn composed the piece in 1994, inspired by the 1928 silent film, The Passion of Joan of Arc, directed by Carl Theodor Dreyer. Live performances accompany a screening of the film.

Voices of Light has been performed more than 200 times by major orchestras all over the world. It has been called “a great masterpiece of contemporary music” and “a work of meticulous genius.” The libretto is based on excerpts from a variety of ancient writings, most of it from Medieval female mystics, and scored for a small orchestra, chorus and soloists. For me, the performance was a haunting, incredibly moving and very profound visual and aural experience. You can learn more about Richard Einhorn on his website here. Cover photo © Cindy Dyer

Also in this issue: Barbara Kelley interviewed Richard Einhorn to learn more about his work and future projects; Therese Walden, president of the American Academy on Audiology, discussed the UnitedHealthcare® hi HealthInnovations hearing device benefit program in Self-Diagnosis, Self-Treatment: The Wave of the Future?; Brad Ingrao wrote about water-resistant hearing aids and cochlear implants in Jump Right In! Water-Resistant Hearing Technology; Lise Hamlin revisited the Americans with Disabilities Act 22 years later in Accessible Design for People with Hearing Loss; and Yoona Ha revealed the special bond with her grandmother in My Six-Million-Dollar Grandmother.

Laurie Pullins was the cover feature for the July/August 2012 issue. Back in February, right before my photography exhibit (Garden Muse: A Botanical Portfolio) opened at Green Spring Gardens, Laurie sent me a message that she would love to come see it in person (she’s been a big supporter and fan of my work for a few years now) and she was trying to coordinate a time when she could accompany her husband to the Washington, D.C. area on a business trip. It so happens that I had been catching up with her blog, Dance with Sound, and had just suggested to Barbara that we entice Laurie to write for the magazine. I pitched the idea to Laurie and said that if she could come up to see my show anytime in March or April, I could shoot the portraits of her for the feature then. We wanted to keep it a secret from even her closest friends so that she could surprise them; only her husband and children knew about it. Cover photo © Cindy Dyer

Laurie is as beautiful on the inside as she is on the outside and I am thrilled that she has a spotlight in the magazine with beautiful photos and her honest and inspiring writing. See Laurie’s feature on my blog post here or download the pdf here: Laurie Pullins Feature

Also in this issue: Brad Ingrao helps you understand your hearing loss and what you need to hear better in Beyond the Beeps: Needs Assessments and Outcome Measures; Lisa and Des Brownlie shared their experiences of their babies born with hearing loss in Two Children, Two Hearing Losses; Sam Trychin discussed research that has uncovered information about another built-in, inherited type of pain that also has survival value—social pain—in Hearing Loss and Social Pain; Lisa Tseng of hi HealthInnovations shows the company’s model for how to reach those who need hearing help in Accessible and Affordable Hearing Health Care; HLAA’s Director of Public Policy, Lise Hamlin, reveaks her personal experiences resulting from the fruits of HLAA’s labor in Newborn Hearing Screening: A Success Story; and Viola LaBounty expresses her improved hearing loss through her poem, Digital Technology: My World Alive.

Melissa Puleo Adams, a former San Diego Chargers cheerleader, was our cover feature for the September/October 2012 issue. I had the opportunity to meet and photograph Melissa when she was visiting her family here in Virginia in May. The title of her feature, Sixth Time’s a Charm, is in reference to her trying out six times to be a Charger Girl cheerleader. She persevered despite the rejections and made it on the sixth try. Her fellow Charger Girls were very supportive of her and her hearing loss. Melissa owns her own web and graphic design firm in California. You can see her web design work hereCover photo © Cindy Dyer  (Read Melissa’s full feature in my blog post here.)

Also in this issue: Audiologist Brad Ingrao provided an in-depth look at three alternative hearing systems in Middle Ear Implants and Bone Conduction Hearing Devices; HLAA’s Director of Marketing and Events, Nancy Macklin, revealed highlights in her Convention 2012 Wrap-up; Susan Clutterbuck wrote about the results of the EARtrak survey and if they reveal whether or not consumers’ opinions are being heard by their hearing health care providers in Improving Health Care—Make Your Voice Heard!; Ronnie Adler shared great stores about how Walk4Hearing Funds are put to good use in local communities in Rewarding Great Ideas—The Benefits of the Walk4Hearing; and Scott J. Bally showed how NVRC is changing lives in the community in NVRC: A Model Community Center Improving Communication.

Marisa Sarto was the cover feature for the November/December 2012 issue. I met Marisa in Providence, R.I. this past June during HLAA Convention 2012. I was going to profile her for our Seen & Heard column but after learning about her photo book project, we decided to make her autobiographical story a main feature for the magazine. I photographed her one afternoon in a park near the hotel. Cover photo © Cindy Dyer

Marisa’s inspiration for her book-in-progress, Hear Nor There: Images of an Invisible Disability, came from her experiences as a woman growing up with a hearing loss that made her feel self-conscious and set apart from others. The project will be a documentary monograph, showcasing photographs and stories of individuals of varying ages, ethnicities and genders and their challenges of living with a hearing loss. Learn more about the project on her website here and sample images and narratives here. Download and read her feature article here: Marisa Sarto Feature

Also in this issue: Audiologist Brad Ingrao’s article, Better Hearing, Better Health, explored the relationship between hearing loss and health-related quality of life; HLAA’s Director of Marketing and Events, Nancy Macklin, showed us why It’s Time to Head West! with her Convention 2013 Sneak Preview; Hayleigh Scott, owner of Hayleigh’s Cherished Charms, and Netegene Fitzpatrick proved there isn’t a generation gap among people with hearing loss in their feature, A Unlikely Friendship; HLAA’s Director of Public Policy, Lise Hamlin, reported good news in Shopping for Phones; long-time HLAA member Vern Thayer explained why he is Lucky that he discovered HLAA in 1983; and HLAA members George Kosovich and Marisa Sarto were both profiled in Seen & Heard.