Smart Phone Nature Photography Workshop at Green Spring Gardens

4 03 2018

Here’s the info on my first smart phone nature photography workshop at Green Spring Gardens in Alexandria, VA (Saturday, May 5, 9:30 am – 12:30 pm). The class will cover smart phones in general (Android and iPhones welcome)!

Smart Phone Nature Photography
(Adults) Learn techniques to improve your smart phone nature photography with the help of professional photographer Cindy Dyer. Get a better understanding of composition, color and lighting and how to use your camera settings to capture what you intend. Practice what you learned with an in-class garden photography shoot, critique and lesson on editing. $52/person. Code 290 232 6001.

Register at www.fairfaxcounty.gov/parks/parktakes or call 703-642-5173.

© Cindy Dyer. All rights reserved. iPhone photos / Snapseed app borders

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San Antonio River Walk

24 01 2018

© Cindy Dyer. All rights reserved. iPhone 7 plus, Snapseed app border

Riverwalk Umbrellas low rez

 





Criss-cross

21 06 2016

I like the graphic qualities in this composition with the tight cropping and criss-cross leaves in the background, so I thought I’d share.

© Cindy Dyer. All rights reserved.

WEB FlagIrisGraphic





Want a free photography lesson on photographing gardens?

15 06 2014

Read my feature, “Garden Photography,” in the summer 2013 issue of Celebrate Home Magazine, which I co-founded and published with Barbara Kelley. I share tips on shooting, what’s in my bag, notes on specific photos to teach about composition and light, and my favorite resources and websites. Download our entire summer 2013 issue on our website at www.celebratehomemagazine.com.

Click on this link to download the Garden Photography pdf: Celebrate Home Magazine Garden Photography

Photography and design by Cindy Dyer. All rights reserved.

CHM Garden Photo





Hearing Loss Magazine: 2012 Recap

28 11 2012

The last issue in 2012 of the Hearing Loss Magazine (HLM), published by the Hearing Loss Association of America (HLAA), just arrived in member mailboxes last week. I design the bimonthly magazine and provide photography services to HLAA. Here is a recap of the issues published in 2012.

Tina and Tom Hamblin were the cover feature for the January/February 2012 issue. Tina contacted me in fall 2010 after seeing the wedding photos I shot for Todd and Abbie Hlavacek in September 2010. Todd and Abbie are also members of HLAA and Abbie wrote her cover story for the May/June 2008 issue (recapped here). Cover photo © Cindy Dyer

I first met Tina and Tom when they arrived for their engagement photo session at my favorite location to shoot, Green Spring Gardens, in Alexandria, VA in spring 2011. After we did our portraits around the garden, Tom started doing cartwheels (he’s a gymnastics coach) and I captured him in full motion—making it the first time I’ve ever photographed someone doing anything gymnastic. I captured him in his wedding finery doing some handstands and cartwheels on his wedding day as well! My colleague Ed and I photographed Tina and Tom’s wedding on October 8, 2011 in Kurtz Beach, Maryland.

I asked Tina and Tom if they would write a sort of “his and her” story for the magazine about their respective hearing loss, how they met, and how they support each other. The title of their article, “Taking the plunge,” refers to both the turning point in their friendship and their recent marriage. You can find Tina blog’s here and Tom’s all-things-gymnastic blog here. Their cover story is available in pdf format here: Tom&TinaHamblin Feature

Also in this issue: Audiologist Brad Ingrao focused on the best practices for hearing assessment and hearing aid fitting in Getting it Right the First Time: Best Practices in Hearing Aid Fitting; Gael Hannon showed us a practical look at information that would be helpful to those who have hearing loss in What the Professionals Should Tell Us; Michael Ann Bower discussed what people with hearing loss can do to avoid the misdiagnosis of dementia when hearing loss is the issue in Hearing Loss and Dementia; and Barbara Kelley interviewed young jazz singer Mandy Harvey in Musically Inclined.

The March/April issue featured the host city for the upcoming Convention 2012—Providence, Rhode Island. HLAA’s Director of Marketing and Events, Nancy Macklin, presented a comprehensive guide to the upcoming convention in this issue.

Also in this issue: Audiologist Brad Ingrao discussed cochlear implants in Plugged in for Sound: Cochlear Implants Today; Scott Bally outlined the Five Most Effective Speechreading Strategies; Renowned audiologist Mark Ross talked about hi HealthInnovations Hearing Aid Dispensing Program; Meredith Low, a pro at planning and making sure that the communication environment is arranged so she can enjoy the party as much as her guests, offered great tips in Welcome! Easy Entertaining for People with Hearing Loss; Pamela Selker Rak shared her experiences with hearing loss in Lost in Translation: How a “Lost and Found” Friendship Opened My Eyes to Hearing Loss; Lise Hamlin focused on HLAA’s efforts in Advocacy: A Few Hot Issues, and HLAA member Netegene Fitzpatrick crafted a special Word Search puzzle for her fellow members to solve.

Richard Einhorn, award-winning composer, was the cover feature for the May/June 2012 issue. In his article, Einhorn wrote about his sudden hearing loss and how, with his clever uses of existing technology, he continues to work and live well with hearing loss. You can read excerpts on my blog post here. For the full article, click on this link: Richard Einhorn

I had the honor and pleasure of photographing Richard in March 2012. Barbara Kelley (HLM’s editor-in-chief) and I met up with him at the Peabody Conservatory in Baltimore. After a great photo session, we dropped Richard off at his hotel and picked him up later to take him to the Meyerhoff, where his work, Voices of Light, was being performed by the Baltimore Symphony Orchestra, with Marin Alsop conducting. Einhorn composed the piece in 1994, inspired by the 1928 silent film, The Passion of Joan of Arc, directed by Carl Theodor Dreyer. Live performances accompany a screening of the film.

Voices of Light has been performed more than 200 times by major orchestras all over the world. It has been called “a great masterpiece of contemporary music” and “a work of meticulous genius.” The libretto is based on excerpts from a variety of ancient writings, most of it from Medieval female mystics, and scored for a small orchestra, chorus and soloists. For me, the performance was a haunting, incredibly moving and very profound visual and aural experience. You can learn more about Richard Einhorn on his website here. Cover photo © Cindy Dyer

Also in this issue: Barbara Kelley interviewed Richard Einhorn to learn more about his work and future projects; Therese Walden, president of the American Academy on Audiology, discussed the UnitedHealthcare® hi HealthInnovations hearing device benefit program in Self-Diagnosis, Self-Treatment: The Wave of the Future?; Brad Ingrao wrote about water-resistant hearing aids and cochlear implants in Jump Right In! Water-Resistant Hearing Technology; Lise Hamlin revisited the Americans with Disabilities Act 22 years later in Accessible Design for People with Hearing Loss; and Yoona Ha revealed the special bond with her grandmother in My Six-Million-Dollar Grandmother.

Laurie Pullins was the cover feature for the July/August 2012 issue. Back in February, right before my photography exhibit (Garden Muse: A Botanical Portfolio) opened at Green Spring Gardens, Laurie sent me a message that she would love to come see it in person (she’s been a big supporter and fan of my work for a few years now) and she was trying to coordinate a time when she could accompany her husband to the Washington, D.C. area on a business trip. It so happens that I had been catching up with her blog, Dance with Sound, and had just suggested to Barbara that we entice Laurie to write for the magazine. I pitched the idea to Laurie and said that if she could come up to see my show anytime in March or April, I could shoot the portraits of her for the feature then. We wanted to keep it a secret from even her closest friends so that she could surprise them; only her husband and children knew about it. Cover photo © Cindy Dyer

Laurie is as beautiful on the inside as she is on the outside and I am thrilled that she has a spotlight in the magazine with beautiful photos and her honest and inspiring writing. See Laurie’s feature on my blog post here or download the pdf here: Laurie Pullins Feature

Also in this issue: Brad Ingrao helps you understand your hearing loss and what you need to hear better in Beyond the Beeps: Needs Assessments and Outcome Measures; Lisa and Des Brownlie shared their experiences of their babies born with hearing loss in Two Children, Two Hearing Losses; Sam Trychin discussed research that has uncovered information about another built-in, inherited type of pain that also has survival value—social pain—in Hearing Loss and Social Pain; Lisa Tseng of hi HealthInnovations shows the company’s model for how to reach those who need hearing help in Accessible and Affordable Hearing Health Care; HLAA’s Director of Public Policy, Lise Hamlin, reveaks her personal experiences resulting from the fruits of HLAA’s labor in Newborn Hearing Screening: A Success Story; and Viola LaBounty expresses her improved hearing loss through her poem, Digital Technology: My World Alive.

Melissa Puleo Adams, a former San Diego Chargers cheerleader, was our cover feature for the September/October 2012 issue. I had the opportunity to meet and photograph Melissa when she was visiting her family here in Virginia in May. The title of her feature, Sixth Time’s a Charm, is in reference to her trying out six times to be a Charger Girl cheerleader. She persevered despite the rejections and made it on the sixth try. Her fellow Charger Girls were very supportive of her and her hearing loss. Melissa owns her own web and graphic design firm in California. You can see her web design work hereCover photo © Cindy Dyer  (Read Melissa’s full feature in my blog post here.)

Also in this issue: Audiologist Brad Ingrao provided an in-depth look at three alternative hearing systems in Middle Ear Implants and Bone Conduction Hearing Devices; HLAA’s Director of Marketing and Events, Nancy Macklin, revealed highlights in her Convention 2012 Wrap-up; Susan Clutterbuck wrote about the results of the EARtrak survey and if they reveal whether or not consumers’ opinions are being heard by their hearing health care providers in Improving Health Care—Make Your Voice Heard!; Ronnie Adler shared great stores about how Walk4Hearing Funds are put to good use in local communities in Rewarding Great Ideas—The Benefits of the Walk4Hearing; and Scott J. Bally showed how NVRC is changing lives in the community in NVRC: A Model Community Center Improving Communication.

Marisa Sarto was the cover feature for the November/December 2012 issue. I met Marisa in Providence, R.I. this past June during HLAA Convention 2012. I was going to profile her for our Seen & Heard column but after learning about her photo book project, we decided to make her autobiographical story a main feature for the magazine. I photographed her one afternoon in a park near the hotel. Cover photo © Cindy Dyer

Marisa’s inspiration for her book-in-progress, Hear Nor There: Images of an Invisible Disability, came from her experiences as a woman growing up with a hearing loss that made her feel self-conscious and set apart from others. The project will be a documentary monograph, showcasing photographs and stories of individuals of varying ages, ethnicities and genders and their challenges of living with a hearing loss. Learn more about the project on her website here and sample images and narratives here. Download and read her feature article here: Marisa Sarto Feature

Also in this issue: Audiologist Brad Ingrao’s article, Better Hearing, Better Health, explored the relationship between hearing loss and health-related quality of life; HLAA’s Director of Marketing and Events, Nancy Macklin, showed us why It’s Time to Head West! with her Convention 2013 Sneak Preview; Hayleigh Scott, owner of Hayleigh’s Cherished Charms, and Netegene Fitzpatrick proved there isn’t a generation gap among people with hearing loss in their feature, A Unlikely Friendship; HLAA’s Director of Public Policy, Lise Hamlin, reported good news in Shopping for Phones; long-time HLAA member Vern Thayer explained why he is Lucky that he discovered HLAA in 1983; and HLAA members George Kosovich and Marisa Sarto were both profiled in Seen & Heard.

 





Breaking a few photographic rules…

6 10 2012

I was inspired by National Geographic photographer Jim Richardson’s essay titled, “Let There Be Light,” where he discusses breaking photographic rules, in this case the one about overexposing highlights in a photograph. In breaking the “read the histogram to correct the blown-out highlights” rule, he captures an image that is ethereal and far more evocative than he would have created had he just followed the rules.

My photo of a gull ready to take flight breaks some other rules that I traditionally follow when photographing. I photographed this bird for several minutes before I got this shot and I considered it a throwaway when I viewed it on my screen. Later, I reconsidered saving it. The image has at least two things that immediately put it into the “not up to par” category: 1) you can’t see much of the bird’s head (just a tiny portion of the top of his head)—so much for focusing on the eyes to make them tack sharp, which is a top rule in bird photography, and 2) the motion isn’t stopped with a higher shutter speed, so the wings are extremely blurry. In the “plus category,” what’s good about this image is the composition (nice, off-center positioning gives it a dynamic that I must admit was not planned at the time), and the anticipation and tension of lift-off with the wings blurred in mid-air next to the tack sharp wood grain in the dock pylon. The gull is grounded yet I’ve serendipitously captured a split second before it will no longer be. It’s graphic with lots of negative space and there is ample contrast.

© Cindy Dyer. All rights reserved.





22 things I have learned while preparing for a photography exhibit

21 02 2012

Someone once said, “it takes a village to produce a photography exhibit,” (or something to that effect). It’s true, and I will thank as many people possible in this posting. I know there will be more thanks to deliver in future postings, so if I’ve missed naming you, please forgive me.

1) Be careful what you wish for. Oh, and thanks (both heartfelt and sarcastically) to Jeff Evans for suggesting I hop on the photo exhibit bandwagon with him.

2) Every image that ultimately gets vetoed, even after trying to assess it with a critical eye 87 times, feels like I’m abandoning a child (that I don’t have). I’m down to this: does this image make me immediately say, “ohhhhh, yes. You are good.” Or does it elicit a “meh” or “Really? A point and shooter coulda shot that” at first glance?

3) Acid-free framing tape makes an excellent bandage around a wedge of Bounty paper towel when you stub your big toe on that piece of unusable glass you forgot was there.

4) Don’t try to continue framing when you get a paper cut. It’s not pretty. And no, an eraser won’t help.

5) Even the nicest frames can come with crappy glass. If there’s a scratch on my brand new glass, can I assume someone took a diamond ring and ran it across the surface? I thought the only thing that could scratch glass was a diamond.

6) And while we’re on the subject of frames…when you need 20 larger frames and the best price online for a particular frame is one that has acrylic/Plexiglas instead of actual glass (cheaper and safer to ship, I’ve learned), this is still not the way to go—no matter what you read on the forums by all those exhibit know-it-alls when you Google, “glass vs. Plexiglas for a photography exhibit.” When you get the frame in, you will peel off the protective cover on both sides of the flimsy sheet and every speck of dust in Bexar County, Texas will find its way to you. No amount of compressed air will alleviate the problem. When you use that baby soft dust brush to lightly remove the dust, it will make permanent scratches on the surface. You will then spend an hour on the phone researching the cheapest place in San Antonio to have glass cut in 18×24 sheets. Sigh, another purchase? (See #12)

7) Converting one’s craft room to a frame shop makes it irresistible to a cat. ZenaB, our tuxedo cat, has this thing for licking plastic (bags and the like). Every frame I unwrap is covered in acres of shrink wrap or a plastic envelope. Seriously, she needs an intervention.

8) Speaking of cats, did you know that the sound of compressed air will send a cat back upstairs in two seconds flat?

9) When one is so pinned in by empty frames, backer boards, acid-free foam core, prints of various sizes, mats, good glass and diamond-scratched glass, glazier gun and points, tape, scissors, xacto knives, rulers and framing wire that one can’t get up to change the radio station when a song one really hates comes on or one debates whether one should go pee or just hold it in a little longer, one should question one’s sanity. All that is missing is that adorable and extremely patient Matt Paxton, extreme cleaning expert from Hoarders, coming around the corner and chuckling nervously as he assesses the mission and asks “can this woman/house be saved?” Excuse me while I diverge…a few months ago I saw a magazine cover (some pricey creative/artsy/craftsy publication whose name escapes me) and the main headline read, “Are you a horder?” Who is proofreading this thing?

10) And speaking of purchases…buy everything you need online, from coated framing wire to hooks to mats and foam core boards (even cut to exact specs!). It will be considerably cheaper, even after you add shipping costs, than getting it locally at a craft store or frame shop. This was a valuable lesson at the outset.

11) Every time I enter my temporary “frame shop,” I hear that “thrinkkkkkk” sound from Hoarders—the one that sounds right before they type something like “Cindy, Alexandria, Virginia” on the screen. Ditto when I step into the living room, where all the finished frames are awaiting transport to the venue next Monday. Will my house ever be back to normal?

12) My bank account may never truly recover. Ever. So if you do come to the show, have pity—buy something. Or two somethings. And really, an odd number is better for a whole host of reasons, so make it three somethings. I promise to apply a quantity discount.

13) You would be surprised at how guerilla-marketing-ish you’ll get when you’re parting with this much time and money in preparation for an exhibit (not to mention you haven’t had an exhibition of your work since the covered wagon days). I have e-mailed people that I haven’t talked to in years in an effort to promote the show. If I could find my kindergarten teacher, I would mail her a postcard, too. To what end, I have no idea. It is something I feel compelled to do. What if I leave her out? She might know someone who knows someone who knows someone who publishes a magazine about flowers and they are in dyer dire need of fresh images.

14) Note to self: A Flower fly does not a Honey bee make. Surely you knew that when you signed that print, matted it, framed it, sealed the back and added the framing wire and hooks. Your heart really wasn’t in it when you came up with that lame title, “Busy Bee,” anyway. Maybe it’s because it’s not a bee in the first place. You know the difference. Were you inhaling compressed air? There’s one do-over to add to the queue. Muchas gracias to my younger sister, Kelley, for her very keen eye in helping me cull the first round of images and for suggesting (and assisting in) naming the images. You really do have an eye for this, Wap-Wap! Wanna represent me? Thanks to my high school buddy James Williams and his wife Irma and daughter Elise for being the first to preview the show (or what I had finished preparing at that point), spread out all over the King’s living room (the prints, not the Williams family).

15) When you get a notice that the XYZ Chrysanthemum Society is taking orders for mum plants via e-mail (and you joined the group who knows why at that plant sale years ago), don’t e-mail the entire list back to (very politely) ask if anyone knows what hybrid a particular mum is in the attached photo. More than two dozen people received my question and not one responded. I thought gardeners were more open than that. Seriously, not one. The lesson in this sad tale is to never assume just because you’re excited about your show that total strangers want to make sure you get your IDs correct. They’re too busy growing mums to bother with your little project.

16) But on the identification flip-side, your fellow bloggers and rabid gardeners will respond within minutes on your Facebook wall when you attach a photo and beg for help labeling the flower. Thanks in particular to Pam Penick and Bobbie Hill Evans for identifying my Autumn sage (Salvia greggii), but also to Mahvelous Mahvin, Jimmie, Patricia, Sean and Anna, for chiming in on the “pretty flower.”

17) Ditto on the spider identification, too. Bug people are busy people, apparently. Why don’t you look it up in one of your umpteen spider books, Cindy? What are ya—lazy? Deep in my heart, I knew it was a sort of crab spider, but I wanted absolute confirmation of which crab spider it was. Didn’t get it. My mind flashed to this very possible scenario: A local entomologist is on his lunch break one balmy April day at Green Spring Gardens. After finishing lunch, he wanders into the Horticulture Center. “Oh, look, a new exhibit,” he thinks to himself. He wanders down the ramp, admiring each image (drawn in particular to the ones with insects, of course), until he comes to the image titled Bird’s Eye View. “Hmmm…let’s see…what an interesting perspective.” He leans forward to read the accompanying sign. “Crab spider on Chrysanthemum. Hmmm…girl should really have consulted a bug expert. That is most certainly not a Crab spider. Sheesh.” (Oh, and a note to that hypothetical entomologist—if you’re reading this, take this into consideration. I really did try to get my ID correct. Don’t you judge me.)

18) Despite the long (but happy) hours I’ve spent preparing for this exhibit, I’ve discovered that framing my images—with all the little details that go into it from start to finish—is very zen for me. Extreme thanks to my father, The King of Texas, for showing me how to do all of this by my lonesome self—and for letting me thoroughly deplete his ample (and expensive) supply of acid-free foam core board. (His framing shed, er, castle, is like being in a craft shop. The supplies never ran out!) The King (shown at left) is a major sponsor of this exhibit—so a grateful tip of this peasant’s bedraggled hat to his Royal Highness. When I’m framing, every image conjures up when, where and how I created it and that feeling I had knowing I got the best shot possible. However, I’m well aware that meditation is a far cheaper endeavor. Of course, I needed another hobby. 🙂

19) Friends, family and complete strangers who learn of the show will become your ultimate cheerleaders. You were already excited about the venue, the opportunity to do the show, seeing your work actually printed and framed (and not just contained within the boundaries of a computer screen on a blog) and the myriad possibilities that might accompany such an event—but your fans and supporters will only bolster that feeling with their feedback. They will spread the word, pass along your invite, and suggest other advertising outlets. Friends from far away will start making flight reservations just to come to see your little show.

20) The show will consume your life at every turn. When you are not designing something to make money to actually pay for the show, you will be matting, framing, taping, typing, primping, scheming, researching, identifying, begging for identification, labeling and stamping postcards and opening box after box after box of supplies delivered to you via FedEx, UPS and the postman. Your multiple purchases will bolster the faltering economy and provide an endless stream of oversized boxes that will amuse and delight your cats (except for that one time when you tossed the two kittens into the box filled with water-soluble-eco-friendly packing peanuts and completely freaked them out). You will skip dinner because you lose track of time. Your cats will (almost) skip dinner because you lose track of time. You will actually go through the motions of framing in your sleep and be a tad disappointed when you realize that those weren’t really done when you awaken the next day. Your husband will help you haul 600 pounds of frames to and from the car and try not to fall asleep when you recite your plans out loud. He will also feed you when you’re too preoccupied to do it yourself (thank you, sweetie). Your lovely long-time friend, Cam, will offer to fly up from Florida to help you hang the show and you will be floored by her generosity and sentiment and will anxiously await her arrival, input, feedback, honesty and company. Your redheaded friend Karen will not sigh or roll her eyes when you prattle incessantly about your show preparations over IHOP breakfast-for-dinner on girl’s night out. Your other friend Karen (she of the not-red-head) will help you with pricing your offerings and tablescaping the reception. Special thanks to one cheerleader in particular, Barbara Kelley (shown above). The Sneeze Guard Heiress will be catering my reception on April 15. Check out her latest culinary creation on her hospitality blog here.

21) It really does help to have a strong graphic design background when you prepare for something like this. All of your marketing materials will look polished and you won’t have to pay someone else to design them. This will be the only place where you and your money will not be parted.

When you log online just to order the postcards to promote your exhibit, you will begin to imagine your photos on mousepads, key chains, hoodies, lawn signs, bumper stickers, tote bags, greeting cards, magnetic car signs, luggage tags, banners and posters. The online company will even suggest every single one of these items all the way up to checking out. You will be tempted. Step away from Vistaprint.com, sistah. Thank you to my college roommate and fellow graphic designer (shown at left), Sonya Mendeke, for designing my beautiful Garden Muse website dedicated to this show.

22) Remind me again why I’m doing this?

Ah, yes, to free these images from the confines of my blog and my external hard drives: