Summer inspiration

1 07 2016

Inspired by summer and the beach (Polaroid transfers created from my favorite 35mm Fuji slides)

© Cindy Dyer. All rights reserved.

WEB Beach Transfers

Advertisements




Sunset at Wrightsville Beach, NC

2 03 2016

© Cindy Dyer. All rights reserved. iPhone 6 / Snapseed app

Wrightsville Beach

 





Road trip in Iceland: The road to Látrabjarg

14 06 2014

Beautiful beach en route to the bird cliffs of Látrabjarg in Iceland. Although I haven’t been to Hawaii (yet!), I felt like I was there when we came upon this vista!

© Cindy Dyer. All rights reserved.

Beach near Latrabjarg





Re-post: Okay. Are you leaving enough room above my head? Yes?

4 12 2013

Originally posted in 5.17.2010

Me, always with a camera bag on my shoulder (this one was a Domke bag—that I still own—that my friend and fellow photographer D.B. gave me when I worked in the ad department at Giant Food after I moved here from Texas), circa way long ago. Maybe late 80s?

Dig those big round pre-Harry-Potter-esque glasses! It would not be a stretch to surmise that my sometimes-closeted love for my beloved John Denver influenced my choice in eyewear. Hey, look at that girl with the big glasses—she must be really, really smart! And dig those paper-bag styled shorts (I be stylin’)! I had read in a Cosmo magazine that the color peach makes you look dewy and youthful. I think I wore peach at every turn after that, because if Cosmo prints it, it must be true. Oh, and this was definitely “the era of the perm.” Even the guy on my right is mesmerized by me. This was most likely shot on the beach on Assateague Island in Maryland…obviously by someone who was either a) inebriated, b) suffering from vertigo or c) truly horrible at composition. Hmmm…I think it was shot by new-boyfriend-Dave-who-obviously-loved-me-despite-my-flesh-colored-face-enveloping glasses. No matter. It’s a record shot of a recorder. And a happy one at that.

I remember when I first had to get glasses—I’m guessing it was around 1987. I wasn’t the least bit happy about it and didn’t want to spend a penny more than I had to. So I bought the ugliest, cheapest, completely utilitarian, fleshy-pink giant frames I could find. Apparently I figured that since I had already won Dave’s affections, he wouldn’t care what my glasses looked like. They were functional and I could see Hecht’s red dot sale signs from a mile away! When I look back on these old photos like this, I wonder what he really thought. What’s even funnier is, I eventually swapped the flesh frames for these faux tortoise beauties, but they were still atrocious, still oversized, still from the wall ‘o utilitarian frames.

I remember when I got my first pair of non-John-Denver-schoolboy-all-growed-up frames. After watching me shop for yet another of my comforting old lady specs, she said, “Um. Miss? Why don’t you try these?” They were very small. Very little glass. Pert. Prim. Shimmery metal. Calvin Klein. $175 (gulp) just for the frames. To humor her, I tried them on. Cute. But really? Could I be so brave to leave my studious-nerdy-why-don’t-you-just-get-some-that-cover-your-chin-as-well frame choices behind? Dare I? Yes, I could and I did. And after adding the super deluxe scratch resistant, sun-shielding, UV-UVA-SUV-ASAP-LMNOP coating, radon-deflecting, night-vision-enhanced, argon-gas-infused lens package, I left with those teeny, tiny little designer frames for only $330! Contrast that to my first old lady frames that cost a whopping total of $50 and came with lenses, a cleaning kit, and an eyeglass holder. Ah, but I did look so stylish after that. Nothing came between me and my Calvins. I haven’t looked back. Until I stumbled onto this slide, that is.





Along Lake Superior in Wisconsin

30 08 2011

© Cindy Dyer. All rights reserved.





Fence, shadow and sand

13 12 2009

Photo notes: Chincoteague Island, Virginia; Nikon N90s, Nikkor 35-70mm zoom, Fuji Velvia slide film, 35mm slide scanned by ScanCafe.com

© Cindy Dyer. All rights reserved.






Polaroid transfers

21 10 2007

I was introduced to the Polaroid transfer process about 15 years ago. At the time, I was shooting 35mm film (not digital as I do today), and was always on the lookout for creative uses for my images. After much trial and error (and many $ spent tossing out rejects!), I got the hang of it and produced some really beautiful images. I sold some on eBay and they even caught the eye of an executive at Polaroid’s Digital Imaging headquarters. He purchased eight images, printed in 11×17 format on archival paper. My father matted and framed the images for me. That was quite a thrill to get that order! I haven’t done any in several years, and have been experimenting with recreating the look with Photoshop (it can be done, but nothing compares to the original process, in my opinion). I had a line of 12 greeting cards printed about 11 years ago and sold some in small boutiques; but I mostly used the cards as a self-promo and for gift giving. I had 2000 images of each image printed, so even after selling and giving away a few hundred boxes, I still have ample inventory in my store room! I made corrugated cardboard portfolios for the boxes sets and also sold them individually. If you’re not familiar with the Polaroid transfer process, check out the sites below.

Legend has it that when a photographer’s assistant at the Polaroid labs accidentally placed a Polacolor negative face down on a counter top, he had no idea a new photographic medium was being born. Returning later, he lifted the negative and found the image had been transferred to the countertop. Rumor has it that the head of the Polaroid corporation forbid any farther experimentation with the technique, but word about this new method leaked out to the photographic community.

http://www.art-e-zine.co.uk/image.html

http://users.frii.com/uliasz/photoart/lightscapes/about.htm

http://www.alternativephotography.com/process_imagetransfers.html

http://sarahwichlacz.com/?p=5

transfers.jpg

© Cindy Dyer. All rights reserved.