The Painting Years: Taking the bait

29 12 2011

I did this 8×10 painting for my father when I was about 15 years old. I think I copied it from an original illustration in a fishing magazine. This was one of the unframed paintings in my dad’s frame shop (guess he didn’t like it enough to frame it, huh?) The canvas is cracked (cheap student paint supplies, perhaps?) but that gives it a cool old-world feel now!

Note: It’s funny how I signed my name in a different way and location on every painting. I have put it one of the following positions: right side at the bottom, nestled by an object like a vase in a still life, all caps and first and last name written, all caps and just first name written, or just my first name with an initial cap. I also only dated a few of them. What consistency, huh?

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The Orphaned Images Project: Gone fishin’

21 09 2011

Written around the edges of this photo:

7:30 A.M. In a few minutes he is off with a “fishing only” on a gasoline launch.

Archivist note: Hmmm….





Boat in Lunenburg, Nova Scotia

6 01 2010

© Cindy Dyer. All rights reserved.





Peek-a-boo

19 09 2008

What is it about cats and empty boxes? I spent the entire day cleaning my studio and every time I cleared a box of papers out, in jumped Jasper or ZenaB. Here’s a shot I got of Jasper in a black canvas storage box.

Speaking of spring cleaning…it is amazing (and somewhat shameful) what things I find when I go through boxes I’ve put aside “to file some rainy day.” Here are the more interesting items I’ve come across so far today:

— a bank envelope with $41.00 (prompting delight then dismay then delight again)
— an old letter from an old boyfriend (a valiant effort to console me, the “dump-ee”)
— 20-year-old letters from my Dad; one that mentions he and Mom were going fishing. This was a revelation. I never knew she was interested in fishing.
— three letters of acceptance for jobs I had when I was in my 20s…one where I was informed I would make $838 every two weeks. Wahoo! Ah, I recall the days of an unairconditioned apartment, ramen noodles, burned biscuits setting off the fire alarm in the building, staying up ’round the clock doing multiple freelance design jobs, and scurrying roaches (in the apartment, not on the menu)
— various birthday cards from acquaintances I’ve since forgotten how I knew them. Egads….the boxes are dusty and so is my brain, apparently.
— a National Enquirer clipping where Cassandra Delaney claims, “John Denver kicked me out of our bedroom for 8 months!” Yes, I’m a John Denver fan…why else would that be in the pile?
— a newspaper article from the Washington Post titled, “On the Road: From Mortgage Slave to Happy Vagabond.” P.S. I’m still a mortgage slave and not (yet) a happy vagabond.
— A copy of my friend Karen’s resumé before she started working at the place where I met her in 1986. Wonder why I have this?
— A 1994 letter from Sue Feld, then Editorial Administrator for American Photo, notifying me that I had two photos to be published in two categories in their 3rd annual contest for reader photos (I had two out of the total 146 images published from about 46,000+ images) Ah, that was a day of elation at the mailbox!
— the formula Karen gave me for growing perfect tomatoes. Yes, readers, I will share the magic formula shortly!
— glow-in-the-dark animal tracks decals from The Nature Company (doesn’t everyone need those?)
— a printed transcript from an AOL live forum conversation with John Denver, dated 8/2/1995. My question posed to him was: “Years ago, I read about your interest in photography. I also saw a photo of yours in American Photo magazine’s Celebrity Photographers Issue. With all the traveling you do, you must have a vast collection of photos. Have you ever thought of publishing a book of your nature photos and personal essays on the environment?” His reply was: “Oh, we thought about that and I’m not sure it’s going to happen as a book of photo nature essays, but I’m not really sure I ever want to do another book!” I suppose I could have asked him “why did you kick Cassandra out of the bedroom for 8 months?” but I doubt it would have passed the muster with the AOL forum host!
— my laminated ID, dated June 21, 1985, that I had to wear when I worked for the U.S. Customs Service as a Clerk-Typist (and made something like $12,000 a year as a Grade -4 (what it felt like). I moved up from the Rio Grande Valley, lived with my parents for a year, and Dad found me this job in the FOIA office (Freedom of Information Act) at Customs in D.C. I typed 100+ words a minute, so the job was easy. My co-workers were really nice, my boss was most certainly not (and in the end, I did get the chance to let her know what I thought of her—tactfully and truthfully, of course), and I was just biding my time until I could find a job in graphics (pre-computer days, mind you…see how that fact dates me?). I commuted with my Dad to work (which was actually quite fun), and I typed letters to prisoners (mostly), informing them their request was being handled, blah, blah, blah. When the papers were ready, I typed a “Dear Prisoner Man” letter telling him how much he (it was almost always a he) owed for the copies. The photo on the ID shows a bright-eyed, bushy-tailed (figuratively), unjaded twenty-something with a really good hairdo (which is unusual, trust me), and a hot pink blouse (did I dress in the dark?). Where did that girl go?
— my prom photo with my friend Ray…I didn’t go to prom when I was actually in high school. Ray was a year behind me and asked me to be his date after I had already graduated. I decided I was “too mature” to wear a long dress (the thing to do in those days), so I wore a knee-length, seafoam green, polyester dress (sounds ugly, but it was actually quite tasteful). My Farrah-Fawcett-wings completed the look! UPDATE: My prom dress was silky, and when I came across the prom photo, the word “Quiana” popped into my head. I did some reading and I was right—my dress was made of Quiana, a slinky nylon fabric popular in the 70’s. I was so cutting-edge with my fashion choices, wasn’t I? Raise your hand if you want to see my prom photo!
— a very lovely letter, dated July 12, 1995, from nature photographer Art Wolfe. He thanked me for writing (I praised a workshop I took with him in Cape May, NJ) and for sending him a package of my Polaroid transfer notecards. His letter ended with him off to Grandfather Mountain, Cuyahoga Valley, Canadian Rockies, Alaska, Paris, Switzerland, Sweden, Norway, Germany, New York, and back to Kenya for a Smithsonian assignment. Sigh…do you need an assistant for low pay, Art?

See more photos of my pretty boy here.

© Cindy Dyer. All rights reserved.