Design Studio: Infographics Brochure

23 02 2016

I recently designed a four-page Hearing Loss Facts and Statistics brochure for the Hearing Loss Association of America (HLAA). Infographics are all the rage in the design world now and this is the first time I’ve created several in one piece. The top panel is the cover, middle panel is the interior spread, and the last page is the back cover (featuring HLAA members Mark and Sunny Brogan).

You can download the pdf on HLAA’s website here: http://www.hearingloss.org/content/brochuresdvds

Facts&Statistic WEB

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Hearing Loss Magazine: 2014 Recap

6 01 2015

I design and photograph for the bimonthly Hearing Loss Magazine (HLM). Here is a recap of the issues published in 2014. Hearing Loss Magazine is published by the Hearing Loss Association of America.

HLM JanFeb 2014The January/February 2014 issue focused on hearing loss in the workplace, with feature articles such as Career Success After Hearing Loss: Finding and Refining Your Path by David Baldridge; Congratulations, You Have an Interview! What Now? by Mary Clark; The Workplace and the Law by John Waldo; Workplace Behavioral Responses to the Law by David Baldridge; A Midwestern Grocery Store Lends a Hand by Suzanne Roath; You’re NOT Fired! Technologies for Workplace Success by audiologist Brad Ingrao; HLAA Employment Toolkit by Lise Hamlin; Hiring Employees with Hearing Loss—What’s in it for Employers? by Valerie Stafford-Mallis; and Hearing Loss is Big Business by Bettie Borton. HLAA member Chelle George was our Seen & Heard profile. I photographed Chelle at HLAA Convention 2013 in Providence, R.I. Read Chelle’s profile here.

HLM March April 2014The March/April 2014 issue was our Convention sneak preview edition, featuring Nancy Macklin’s Convention feature, The Live Music Capital of the World Awaits You. Also in this issue: author Katherine Bouton’s Tinnitus is Big Business; I Might Not Hear Everything, but I’m Still Listening by S.R. Archer; Hearing Lost, Inspiration Found, a profile of theater artist and acoustic guitarist Randy Rutherford by author John Threlfall; HLAA Fights for Consumer Rights by Lise Hamlin; Grandma Doesn’t Know What We’re Talking About by Joyce Hagerman; and Waiting Rooms—Why Does it Have to Be So Hard? by Dana Mulvany. Convention 2014 was held in Austin, Texas on June 26-29 at the Renaissance Austin Hotel. I met and photographed pianist Nancy Williams at the Convention. She was the September/October 2014 cover feature.

HLM MayJune 2014I photographed the Pawlowski family for our May/June 2014 issue. The main feature was Walk4Hearing: It Takes a Family by Ronnie Adler. Within this section were short essays by Andrea Versenyi (My Mother’s Social Isolation), Leslie Beadle (Walking in Mom’s Shoes), Lydia Riehl (A Father Inspires His Daughter to Study Audiology), and Katherine Pawlowski (Why I Walk). Other features included Just Like Me, a profile of Katherine Pawlowski by Julie Fisher; Austin, Here We Come! by Nancy Macklin; and Are You Computer Savvy? If Not, Join the Club! by Joel Strasser.

(Cover photo, from left: Alex, Katherine, Megan (mom), Nicholas, Sebastian (dad), and Elizabeth. Eight-year-old Katherine is HLAA’s first Walk4Hearing Ambassador.) Learn more about HLAA’s Walk4Hearing here.

HLM JulyAug 2014I photographed artist and portrait painter Timothy Chambers in the Virginia countryside last spring and interviewed him for our July/August issue. Following in his father’s footsteps, Timothy Chambers became a full-time portrait painter. Even a diagnosis of Usher syndrome at age 30 didn’t keep him from pursuing his passion for painting. You can read my interview, Timothy Chambers—Living a Creative Life with Usher Syndrome, here. Learn more about Timothy and see his beautiful work on his website here. He offers painting instruction in the form of plein air field excursions, ArtShops and online teaching with IguanaPaint. Learn more here and here. Also in this issue: Saving Vision for People with Usher Syndrome by Ben Shaberman; A Newborn Baby and a Cure for Hearing Loss—Umbilical Cord Blood Stem Cell Repair by Jim Baumgartner and Linda Baumgartner; Understanding the Fundamentals of the Audiogram … So What? by audiologist Larry Medwetsky; It Don’t Mean a Thing if it Ain’t Got that “Bling” by Anna Bella and Suzanne D’Amico; Hearing Aid Coverage Under Medicare—We CAN Do It! by Lise Hamlin; and Unwrapping My Passion Once Again by barefoot skier Karen Putz. HLAA member Molly Corum was our Seen & Heard profile in this issue. I photographed her at HLAA Convention 2011 in Washington, D.C. Read her profile here.

HLM SeptOct 2014HLAA member Barbara Chertok interviewed Nancy Williams, pianist, author and advocate, for the September/October 2014 issue. Nancy Williams is the publisher of Grand Piano Passion, an online magazine. I photographed Nancy at HLAA Convention 2014 in Austin, Texas, this past June. Visit Nancy’s website here. Read Barbara Chertok’s feature, Music to My Earshere. Also in this issue: A Listening Profit by Nancy M. Williams; Audiometric Test Procedures 101 by audiologist Larry Medwetsky; HLAA Public Policy and Advocacy Agenda by Lise Hamlin; Understanding the Terms—Culturally and Audiologically by Barbara Kelley; Accessibility Drama Has a Happy Ending by Paula DeJohn; and Reflections of an Audiologist with Hearing Loss by Mark Ross. HLAA member Meredith Segal was our Seen & Heard profile. I photographed Meredith at the HLAA Convention 2011 in Washington, D.C. Read her profile here

HLM NovDec 2014In the November/December 2014 issue of Hearing Loss Magazine, Barbara Kelley profiled Alice Marie (Ahme) Stone, wife of Rocky Stone, who founded HLAA (then known as SHHH, Self Help for the Hard of Hearing) 35 years ago. I photographed Ahme at her home in Bethesda. In Barbara’s article, The “Intrepid” Alice Marie Stone, I learned lots of things I didn’t know about Ahme, Rocky, his career with the CIA and family life on the road. It’s a really fascinating read! Read Barbara’s interview with Ahme Stone here. Also in this issue: Hearing Loss: Working Toward a Solution by Shaina Nishimura; DuPont Displays—A Great Place to Work by Tara C. Stewart; Transitioning from High School to College: Helpful Hints by audiologist Larry Medwetsky; Employment and Hearing Loss: A Case Study by David Gayle and Lise Hamlin; To Thine Own Self Be True by Valerie Stafford-Mallis; Applying for Social Security by Lisa Giorgetti; and At 84, I’m Tuned In by Eli Weil. HLAA member Candace Meinders was our Seen & Heard profile for this issue. Read her profile here.

Join the Hearing Loss Association of America!
Do you have a hearing loss or know someone who does? Consider membership in the Hearing Loss Association of America. All memberships include discounts on hearing-related products, convention and special event early bird discounts, AVIS and Alamo car rental, and the award-winning Hearing Loss Magazine. Sign up for membership here.





Michael Eury, Superhero

6 09 2011

Michael Eury is our cover feature article for the September/October 2011 issue of Hearing Loss Magazine, which I design and produce bimonthly for the Hearing Loss Association of America (HLAA). Michael approached Barbara Kelley (the editor-in-chief) and me this past spring and proposed writing his story for the magazine and pitched an idea for a conceptual cover. We’re so excited with the results of our collaboration. (Congratulations and accolades to HLAA and their webmaster, Susan Parras, for the recent debut of the beautifully redesigned website here. Of course, I’m kind of partial to the changing “billboard” photos since they’re mine!)

Binder Clips, Booth Curtains, Wire and a Whole Lot of Enthusiasm!
With the help of my trusty sidekicks Michael Schwehr and Ed Fagan, not to mention a very willing model, I think we pulled off the concept brilliantly! Although Michael Eury was prepared with his Clark Kent suit, glasses and superhero demeanor, neither of us remembered to bring the infamous red satin cape. I was also hired to photograph the HLAA Convention, set up a few cover shoots and begin my newest addition to the magazine—a one-page 20+ questions member profile series called “Seen & Heard,” which also debuts in this issue. I knew I had some red satin in my fabric stash, but in the mad rush to get everything ready, it fell off my radar.

So, since necessity is the mother of invention, I dispatched Ed to “borrow” a burgundy convention booth drape to serve as a cape (with the color and texture modified afterward in Photoshop to the requisite glowing red, of course). With the aid of wire and binder clips and Michael and Ed serving as puppeteers, we had our Superhero flying in no time. I also bent a thick wire through Michael’s tie to really show him in action.

We couldn’t have had a better subject—it’s been his childhood dream to be a superhero, and he said we made his dream come true, if only for a couple of hours. His enthusiasm was contagious and his expressions would rival those of Jim Carrey! After viewing a few of the cover shots on my screen, I told him, “you really look like Charlie Sheen in some of these.” Then I added, “before the booze, ladies of the night and W-I-N-N-I-N-G, of course!” We’re so happy with the photos and Michael’s well-written article was the perfect complement. I’ve reprinted his article below, but you can see it in layout form by downloading the pdf file here: MichaelEurySuperhero. All photos © Cindy Dyer

by Michael Eury

I look nothing like Lois Lane, but I was saved by Superman! And today, like DC Comics’ legendary Man of Steel, I am also a superhero, the realization of a lifelong dream. Believe it or not, I have my adult-onset hearing loss to thank for this. But as with any superhero’s story, we must begin with…an origin!

Who He Is and How He Came to Be
I was not rocketed to Earth from a dying planet, nor have I been mutated by radiation (at least not to my knowledge). Instead, I was born in Concord, North Carolina, and grew up during the 1960s, the tumultuous decade when Americans wrestled with the ugliness of real-world crises by ducking for cover inside fantasy realms of bubblegum music, flashy pop-culture heroes, and cornball comedies.

On January 12, 1966, my life was forever changed when, as an impressionable third grader, I watched the first episode of ABC-TV’s Batman. My parents cackled when Adam West as Batman shimmied the “Batusi” on a dance floor, having been drugged by Molly (Jill St. John), the girlfriend of the Riddler (Frank Gorshin). In my young mind I thought my parents were suffering from some type of dementia—couldn’t they see that Batman was in peril? Mom and Dad, Batman’s acting weird because he was slipped a mickey by Molly. There’s nothing funny about this! What’s wrong with you people?!

Batman in 1966 opened a gateway to other superheroes and I became a voracious reader of comic books, learning the lore of Superman, the Justice League of America, Spider-Man, and the Fantastic Four. Ask me to calculate a percentage or name the capital of Kansas and I’d respond with a blank stare, but I could tell you without hesitation that Gingold was the name of the serum consumed by Ralph Dibny to turn him into the Elongated Man, and on the backwards Bizarro World, Bizarros said “goodbye” when they meant “hello.”

I learned to appreciate the “camp” humor of TV’s Batman, but never outgrew my love of superheroes. Throughout adolescence I trekked each week to newsstands and convenience stores, searching for new “funnybooks.” I also wrote and drew my own comic books, crudely penciled on typing paper and hand-lettered in ballpoint ink and shared with fellow students. My comics starred my classmates as superheroes, their superpowers usually based upon a sophomoric nickname or trait.

The kid with a long neck (“Weasel”) became Weaselman, with the power to stretch his neck great distances, and a buddy renowned for hurling spit wads at classroom clocks became Wonder Wad! These and other homegrown superheroes (I couldn’t draw girls, so there were no superheroines) occasionally banded together as the Concord Crusaders.

As graduation approached, in my heart I wanted to study creative writing and art and become a professional comic book writer/artist, but played it safe by opting for Plan B: becoming a band director. Music was my other passion, and I played trombone in every ensemble available. And thus, in fall 1975, I became a music education major at East Carolina University (ECU). Throughout college, however, I continued to read comic books.

Look! Up in the Sky!
I was at ECU in December 1978 when another life-altering superhero experience happened: my first viewing of Superman: The Movie, starring Christopher Reeve, whose likable portrayal of the Last Son of Krypton convinced millions that “You’ll believe a man can fly.” I saw Superman multiple times. Reeve as Superman became my hero.

I graduated from ECU in 1980 and took a job teaching middle and high school band in eastern North Carolina. And I hated it. I had blundered into the wrong career. I taught for only a semester, quitting and returning home. During the early 1980s I worked as a substitute teacher, cable-access TV cameraman and talent, record and video stores clerk, graveyard shift convenience store clerk, singing telegrams messenger, comedy-improv group performer, and freelance writer for small press publications and community newspapers. I was able to leap from one dead-end job to another in a single bound!

My one success during this period of instability was finding the love of my life, Rose. We met in 1984 as co-workers at Monkey Business Singing Telegrams in Charlotte, North Carolina, and had an instant chemistry. After a year and half of dodging our feelings for each other, in January 1986 we could no longer ignore what was intended to be and have since lived happily ever after.

Throughout my mid-twenties, Superman begat movie sequels, and my obsession deepened. I even nurtured fantasies about being Superman! I dreamt of flying to the rescue of those in need. Inspired by the examples of superheroes, I had an innate desire to do good for others but lacked the maturity to cultivate a pragmatic way of realizing that desire.

My Own Private Kryptonite
A hero is generally defined by his archenemy. As I aged into my thirties, a supervillain conspired to topple me. My foe did not operate from a subterranean lair, nor did he hire underlings with henchmen names embroidered on their sweatshirts.

Instead, this insidious mastermind quietly employed covert tactics. He began his assault as an embezzler, secreting away sounds—a consonant here, a high pitch there. He sometimes brandished weapons of mass destruction—otosclerosis, tinnitus, and noise exposure. His attacks, however, were gradual and unannounced, allowing me to make minor lifestyle adjustments along the way. I did not realize—until it was too late!—the havoc he had wreaked. The name of this scoundrel? Hearing loss.

In January 1988 my long-time passion for comic books finally blossomed into a vocation. I took a job as an assistant editor at a small publisher called Comico the Comic Company, in Norristown, Pennsylvania. It was here that I was first bothered by hearing problems, especially in restaurants, where I learned to position myself with my “good ear” facing the table’s conversation.

In the summer of 1989 I landed my dream job: I became an editor at DC Comics, the publisher of Superman and Batman. DC Comics, headquartered in midtown Manhattan, was a subsidiary of Warner Bros. Living in the Big Apple and working for an entertainment empire was an exhilarating experience for this small-town southern boy!

Within eight months I had been promoted to editorial management, working as the assistant to Vice President/Editorial Director Dick Giordano, and seemed to be on the fast track. A few freelancers called me the “heir apparent” of the editorial department, the “guy to get to know.” (An aside about my boss: Dick, coincidentally, was profoundly hard of hearing. We often held private conversations in the elevator so I could speak loudly enough for him to understand me without being overheard by editors loitering outside his office door.)

I began having difficulties processing information. When people would speak to me while I was on the phone, their comments, heard through my “bad ear,” were muffled. DC’s president had a high-pitched, soft voice, and I rarely understood what she said. I began to mishear in editorial meetings, and some colleagues questioned my competence or sobriety. A few editors still stinging from my promotion took advantage of my unsteadiness and bullied me. My self-confidence, along with my hearing, was fading away.

Of course, a true hero would rise above such adversity. I was not heroic in any way. I allowed my progressive hearing loss to crush my spirit, and the bullies and professional stress to make me miserable. Three years after taking my dream job, I resigned from it and slunk back home to be a freelance writer of comic books, a job I could do without having to rely upon my failing hearing.

Trapped in the Phantom Zone
Rose and I spent the summer of 1992 in New Bern, North Carolina, in a house my grandfather had built decades earlier. The house was in disrepair, souring my disposition, and culture shock also waylaid me. I was extremely unhappy and anxious to retreat.

That fall we moved—again!—to Philadelphia, to familiar territory and friends. I was depressed, however, although I usually put on a happy face to friends, keeping most folks at arm’s length. My depression adversely affected my work, and writing assignments withered away. I accepted an editorial position at Dark Horse Comics in the Portland, Oregon, suburb of Milwaukie, and, in August 1993, Rose and I moved from the East to the West Coast.

Once again in an office environment, the pattern from my DC Comics job replayed itself. I was quickly promoted into management, becoming a “group editor” (overseeing an entire line of titles and staff), but fell prey to communication breakdowns. Some editors considered me aloof because I didn’t hang out with them, or rude because I sometimes didn’t answer when they addressed me from a distance or from behind. The day that one of Dark Horse’s executives—a low-talker—mumbled a question that I answered inappropriately, earning a bewildered gape from him; I realized that I could no longer deny my problem.

In spring 1994 I visited an audiologist, had a hearing test, was diagnosed with otosclerosis, and acquired an analog full-shell hearing aid for my right ear. This helped me hear some of the things I had been missing, but did not cure my depression. Actually, I choked on self-pity when I first wore the aid, whining that I was going deaf and would one day be left with nothing but that incessant ringing (tinnitus) in my ears!

I was also having difficulty modulating the volume of my voice. Sometimes I’d speak too loudly, and sometimes, too softly. I remember being at a gathering in a noisy Portland nightclub and greeting an old friend from behind. He didn’t hear me, I was speaking so softly. I repeated myself and it wasn’t until he saw me that he noticed I was there. He called me “the Invisible Man.” While I’d wanted a superpower, invisibility wasn’t it.

On May 27, 1995, my hero, Christopher Reeve, had a horseback-riding accident that left him a quadriplegic, forever banishing him to a wheelchair. Through the support of his family, he “stood tall” as an advocate for people with spinal cord injuries. What an inspiration he was! Reeve truly became a superman.

While I was impressed, I wasn’t prompted to fully address my own disability. In the fall of 1995, I resigned from my staff job and once again retreated into the quiet world of freelance writing. My hearing loss worsened, and so did my attitude. I was also aging out of comics, finding less and less work. I came close to breaking into writing for animation, but that was predicated upon relocating to Los Angeles, a move my wife and I considered ill-advised.

By the late 1990s, I felt that I was a failure and rarely connected with others. I continued to reside in Oregon, more than 3,000 miles away from family and old friends who didn’t have to witness my shortcomings. And I was drowning in despair about my hearing loss. I blamed God for it—hearing is one of our vital senses, and, like air, should always be there, right? At least that was my thinking at the time. At my lowest, I took my Bible—the same Bible I had studied for years, one that was saturated with yellow-highlighted passages—and chucked it into the trash can. I reasoned that God had forsaken me by allowing my hearing to pull a vanishing act, so this was my way of returning the “favor.”

Summoned into Action
In 1999, I took a part-time job as a clerk at a small community-based corporation in Lake Oswego, Oregon, where Rose and I had settled. My hearing worsened. My job involved dealing with the public, and some folks had little patience for someone with a disability. I remember one woman rudely biting my head off after my mishearing of a name.

Still, I began to regain some confidence and became the part-time communications director of this organization. I started wearing two in-the-canal digital hearing aids, which I purchased in 2001 once my single analog was no longer cutting it.

I also inched my way back into publishing, in 2002 producing my first book, the history of a collectible toy. Another book followed the next year. My publisher offered me the opportunity to edit a start-up magazine that would examine comic books and related media of the 1970s and 1980s.

In summer 2003 I became a full-time freelance writer and editor with no shortage of work. Professionally, things were looking up, but I worked from my Fortress of Solitude, limiting my face-to-face contact with others. Hearing loss had become my kryptonite, and I was embarrassed by my condition. I grew my hair long to conceal my hearing aids.

Online I discovered SHHH–Self Help for Hard of Hearing People, the original name of the Hearing Loss Association of America. There was a chapter in Lake Oswego, and one in Portland. I marked their meeting dates in my calendar and swore I’d attend. But when these dates would roll around, I’d find an excuse not to go.

That was my life—not taking ownership of my hearing loss, not learning how to cope with it. I had become a pale imitation of the person I was before I lost my hearing.

And then Superman came to my rescue!

Christopher Reeve died on October 10, 2004, nine years after his debilitating injury. Reeve’s death affected me deeply. I’d never met the man, but it was like I had lost a close friend or brother. Then my grief morphed into something else … a sensation of peace, and of empowerment.

I firmly believe that God used Christopher Reeve as an “angel” to send me a message about dealing with my hearing loss. At that transformational moment, I stopped bellyaching, “Why me?” but instead pondered the question, “What do I do next?”

The answer to my question led me to the next meeting of the Clackamas County, Oregon, SHHH Chapter, which happened to be a hearing resource fair held at the Chapter’s meeting site at the Lake Oswego Senior Center. I learned a great deal about assistive listening devices; was inspired by a speech by David Viers, then the Oregon state president of SHHH (and who soon became my friend); and met other people like me! At the end of the meeting I asked the program director, Ed Larson, if I could join the chapter—I thought I might be too young, since most of the others in the room had gray hair! Not only did he say yes, he recruited me to replace him as program director, since he was moving into a retirement village in a different city. Ed detected a fire within me that I had thought long extinguished.

At the next chapter meeting, Ed introduced me to the group as a “godsend.” I dismissed that remark, but now realize that I was sent there for a higher purpose. I knew absolutely nothing about shaping programs for people with hearing loss—my motivation was initially one individual’s search for information—but having been thrown into the deep end, this time, unlike my previous challenges, I did not quit. The questions I had about hearing loss became program topics, and through curiosity and the help of other SHHH leaders and professionals, I made contacts and booked speakers.

And there I learned a lesson that has since enriched my life: helping people is the path to happiness. As program director, and later president, of that chapter, I was able to console and guide many who felt marginalized by their hearing loss.

Before long I joined the Oregon SHHH (and later, HLAA, post-name change) Board of Trustees and edited the statewide newsletter. After Rose and I decided to return home to North Carolina in September 2007, I became an at-large member of the Board of Trustees of the Hearing Loss Association of North Carolina and the editor of its statewide newsletter. In 2008 I was elected state president, an office I am honored to maintain today.

Below: This Superman take-off, “Super-Antics,” by cartoonist Kerry Callen (kerrycallen.blogspot.com), shows that even a Man of Steel occasionally mishears! SupermanTM DC Comics. Used with permission.

Wanted: More Superheroes!
So how does this make me a superhero? A superhero is someone who does not give up, no matter the odds, and who does what he or she can to help others. Christopher Reeve certainly could have hidden from the spotlight after his accident. The man could not breathe without a respirator, yet he rose above his bodily prison to show us all that you don’t have to be “more powerful than a locomotive” to be a Man of Steel.

My conversion from a self-pitying introvert with hearing loss to a self-confident extrovert with hearing loss opened other doors for me. While I was looking for a community-service project, fate led me to accept a part-time job as executive director of my county’s historical nonprofit organization. I was concerned that my hearing loss might once again work against me, but my wonderful wife encouraged me to move forward.

And I’m so happy I did! My hearing loss has created an occasional hurdle, but I’m now in my fourth year overseeing the preservation of my community’s heritage. From young adults to veterans to senior citizens, I’m routinely showered with gratitude from people who are thrilled that I care about their past. My job has also led me to volunteer with civic organizations such as the Rotary Club, the public library, and my church.

You see, this is my superpower: community service. While I may be painting a portrait of altruism here, I admit that there remains a hint of selfishness behind my motivation: Nothing I’ve ever done before has made me feel so good!

Not long ago, I created for HLA-NC a leadership program called “Invisible No More,” which encourages people with hearing loss to stop hiding their condition. This program has been shared with national leaders and is available on the HLAA website. An important component of “Invisible No More” is the contention that it is the moral imperative of HLAA leaders to help others who have yet to reach our level of confidence or enlightenment.

And so, I invite you to become a superhero, too. Be proud of who you are. Seek guidance and resources to help you communicate and participate in life. Do not give up, no matter how insurmountable the odds may seem. You may not be able to “leap tall buildings in a single bound,” but you will soar to new heights. This, I promise you—and you know Superman would never tell a lie!

Michael Eury wears binaural hearing aids and has been a member of HLAA since 2005. He is the state president of HLA-NC and is a 2011 recipient of the Spirit of HLAA Award. He lives in Concord, North Carolina, with his wife, Rose, who has loyally stood by his side during his journey through life with hearing loss. Contact Michael at euryman@gmail.com and visit HLA-NC’s website at www.nchearingloss.org.

Books by Michael Eury
Michael is the editor of Back Issue, a comics history magazine published eight times a year by TwoMorrows Publishing of Raleigh, North Carolina. Visit their website at www.twomorrows.com. Back Issue premiered in November 2003.

Images of America: Concord (Arcadia Publishing, 2011)
Captain Action: The Original Super-Hero Action Figure: Revised Second Edition
(TwoMorrows, 2009)
The Batcave Companion (with co-writer Michael Kronenberg) (TwoMorrows, 2009)
Adventures of the Mask Omnibus (Dark Horse Comics, 2009)
Comics Gone Ape: The Missing Link to Primates in Comics (TwoMorrows, 2007)
The Krypton Companion (TwoMorrows, 2006)
The Supervillain Book (with co-editor Gina Misiroglu) (Visible Ink, 2006)
The Justice League Companion (TwoMorrows, 2005)
Bugs Bunny: What’s Up, Doc? (contributing writer) (DC Comics, 2005)
Daffy Duck: You’re Despicable! (contributing writer) (DC Comics, 2005)
The Superhero Book: The Ultimate Encyclopedia of Comic-Book Icons and Hollywood Heroes (contributing writer) (Visible Ink, 2004)
Dick Giordano: Changing Comics, One Day At a Time (TwoMorrows, 2003)
Captain Action: The Original Super-Hero Action Figure (TwoMorrows, 2002)