My World Alive by Viola LaBounty

2 08 2012

A few months ago, my friend Mary Ellen Ryall introduced me to Viola LaBounty, a friend in her writer’s group in Wisconsin. At Mary Ellen’s urging, Viola submitted this poem for publication in the Hearing Loss Magazine, published bimonthly by the Hearing Loss Association of America. It appeared in the July/August 2012 issue. Special thanks to Anna Martineau Merritt, Misty Pines Photography, for the perfect photo of Viola and her husband Bob (beautiful job, Anna!)

My World Alive [Digital Technology]

by Viola LaBounty

Awakened at dawn in silence,
I remember yesterday’s song;
we walked through the forest together
in amazement at how alive all had become.
I had struggled to know what was absent
as we’d walked down these pathways before.
Not known I’d been there in silence
what was muted
until now?

I have missed sounds of sand under footsteps;
each bird-song, each flutter of mourning dove
as we startle her there in oaken leaves;
She flies off to her mate in the distance.
All came alive in an instant…
This is where inspiration had gone.
I’d lived in silence for all this time;
I didn’t realize
until now.

Silence had overtaken my world in part.
where once there was joy in each word came my way;
only quiet as dew rolled to ground…
Now I will savor sound as a gift;
breathe as it whispers its secrets.
Precious words; priceless thoughts
have been given…how many have I missed
until now?

So subtle is aging in many ways,
may steal away some of time;
my world, live with wonder, as a child again;
pure senses, each movement records.
Sound of breezes;
Your voice in soft tones;
prompts of God; He surprises afresh…
I have learned in my journey
each day truly new.
My world is alive once again.

Viola LaBounty is an active member of St. Croix Writer’s Group in Solon Springs, Wisconsin. She is also a member of Wisconsin Writer’s Association and Lake Superior Writers. Viola is a retired teacher’s assistant of early childhood autistic children. She and her husband Bob have two adult children, Michael and Shauna, and one teenage granddaughter Kaylee. Viola enjoys playing gospel music and singing with her auto harp. Her hearing loss has been gradual over the years. She had been exposed to loud environments through her teens and twenties and did not protect her hearing through these times, not realizing how important it would be to do so.

Photo © Anna Martineau Merritt, Misty Pines Photography

 

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Published: Fall—The Garden’s Grand Finale

19 10 2011

I just had an article published, accompanied by my photos, on the “Bloomin’ Blog” at http://www.theflowershopnetwork.com. I’ll be writing a monthly column for them on all things gardening and flower-related. Read my October entry in the link below:

http://www.flowershopnetwork.com/blog/fall-garden-flowers/





Interview with William Biggers—The Evolution of an Artist

21 05 2011

A few years ago, Bill Biggers contacted me through my blog, requesting permission to use a floral photograph as inspiration for a painting. After visiting his art websites, I wrote back and told him that I would be honored for him to paint from one of my photos. We kept in touch via e-mail and two years ago we met in person in Greenville, S.C. I was visiting my friend Carmen, who had moved to nearby Greer a few years earlier. Carmen and I met him at his home, where he gave us a tour of his studio and work, followed by a leisurely lunch in downtown Greenville.

Bill is truly a Renaissance man—skilled in so many artistic disciplines. While he is a very talented illustrator, painter, and stained glass artist, I especially liked his pottery. I collect Raku and he had some lovely pieces in his home, all created during his incarnation as a professional potter in his studio, Mountain Pond Pottery, at Lake Lanier and Lake Nottley. I felt an immediate kinship with him because like me, he loves acquiring and applying new creative skills. Graphic design, painting, drawing, printmaking, marketing, writing, pottery, stained glass painting—he does them all and he does them well.

Born in Atlanta, GA, Bill now lives in Greenville, S.C., where he creates portrait paintings and drawings on commission. I found his diverse career fascinating and he graciously agreed to be interviewed and share his career and works with my readers.

When did you first discover your creative talents?
I began drawing and painting immediately after eye surgery at age three. I could see individual leaves on trees, birds, distance and most important—single, not double images. That progressed to an impromptu crayon and paint mural on the lengthy hallway to my bedroom. Needless to say, at first Mom was upset but fell into gales of laughter.

Where did you study art?
I continued drawing and painting through high school. I had no formal training until my first classes at Georgia State University, where I majored in visual arts. I studied under the remarkable and late Jim Sitton. Additionally, I took painting courses under the late Joseph Perrin, printmaking under Jim McLean (Editor’s note: McLean retired in 1994 and has since illustrated 11 books, most of them with well-known language guru and punmeister, Richard Lederer), and pottery under a man named Potter.

Did you inherit your artistic talents from your parents?
Short answer—maybe. Late in life my mother surprised us all with a seemingly sudden and remarkable interest and talent in multiple-layer painting and firing on porcelain, which shares some characteristics with stained glass painting. Her work was beautiful.

My father, Bill Sr., was head of the Meteorology Department for Eastern Airlines, and in WWII he taught American and British pilots weather and navigation. After his retirement, photography became his hobby and lasted until he lost vision. My sister, Sydney, is a highly creative interior designer and her daughter, Lea, is a gifted jewelry designer.

What other creative mediums have you worked in?
First and foremost—drawing and painting in all painting mediums—from watercolor to oil, acrylic to tempera. That’s the most consistent media—especially watercolor—which is the most ancient and long-lasting medium. I’ve enjoyed printmaking—especially old techniques of etching and woodblock printing. I’m still an enthusiastic stained glass fan, but had to close my shop due to illness. The physicality was too demanding and I couldn’t do any work for over two years. Now I occasionally work primarily in watercolor.

Tell us about the evolution of your career.
I worked in the graphic design field for 17 years, specializing in visual tools to aid in teaching, illustration, printing, promotional and marketing materials, writing and heading an award-winning design team of artists and photographers. During my GSU tenure, I completely designed the then new Educational Media facility from the ground up with the universities chief architect. The facility design included plans for HAVAC, electrical, space usage, and a complete layout for departments of Graphics/Photography, Film/Video, Distribution, Audio and supportive staff.

I left GSU to develop award-winning consumer catalogs for an importer. Concurrently and five years prior, I developed Mountain Pond Pottery, creating one-of-a-kind and limited edition raku and stoneware. I liked raku because it’s an art with such an exciting process. (The creative process of Raku as practiced today has evolved from methods developed in Japan in the sixteenth century. A Korean tile maker’s hand-pinched tea ceremony bowls so impressed the Japanese emperor that he named the tile maker, Raku, meaning pleasure. The Raku family practices pottery to this day. Westerners have built on that simple and elegant approach by making a wide variety of forms and formulating more distinctive color glazes. After forming, bisque firing then glazing, the piece is thrust into a preheated red-hot kiln at nearly 2,000 degrees Fahrenheit. At the time of glaze maturity, when the piece is close to transparent red, the piece is lifted out of the kiln with tongs and/or gloves, then plunged into a container of sawdust, straw, or a combustible material like oil rags. The piece is tightly covered and sealed to allow carbons released from the combustibles to penetrate the glaze and clay body which produces the characteristic black clay body and individual and surprisingly unpredictable glaze results now characteristic of Raku—each finished piece is scrubbed when cooled to remove soot, and bears the distinctive marks of tongs or gloves adding character to the form.)

After working with the importer, I was Resident Potter at the John C. Campbell Folk School, while also heading the marketing department there. I also taught and authored a history of the Brass Town Carvers, a then 60+ year old program at JCCS patterned after Winter Work in carving by Danish farmers.

After JC Campbell I traveled west to California to work at the former Pocket Ranch Institute and the Star Foundation. High in the mountains above the vineyards surrounding Geyserville, I produced marketing materials and a motivational video. I was also on the management team for the large 2,000 acre retreat and psychotherapeutic facility.

After several years I returned to the southeast and soon worked as Operations Director and Music Personnel Manager for the Greenville Symphony, in Greenville, S.C. Four years later I had to get back into art and left the Symphony. I took some time off and subsequently returned to my first love—the visual arts. I took a short drive to Tryon, N.C. and came upon a glass studio—Tryon Decorative Glass—owned by stained glass artist Michael Kitchen. We hit it off discussing art and art glass. I was amazed with his work.

Under Kitchen’s instruction, I learned the art of glass painting with multiple layers—painting with ground glass mixed with bonding agents, which remain on the painted glass surface long enough to place in kiln. This assured the ground glass would stay on the painted glass through handling and firing; the pieces were then fired in special glass kilns. I also learned window design and fabrication with Kitchen. At that time he was contracted to create windows for many United House Of Prayer cathedrals and small churches throughout the East and Midwest. These projects were more than inspiring. Kitchen now works with Glass Works Stained Glass Studio in Charlotte, N.C.

Two years later, in January 1998, I ventured out on my own to create Biggers Glass Painting & Stained Glass Design, with glass studio customers throughout the U.S. Throughout my career incarnations, I continued to create portraits, drawings, and products for communications, business, crafts and the arts—my specialty and passion remains portraits. (View Bill’s stained glass painting and design portfolio here.)

Do you draw every day? What is your favorite medium? 
Yes, if you include doodling. Usually it is just a couple of minutes of sketching per day because my stamina is greatly reduced. When I feel capable, I do full drawings and paintings in acrylics and primarily watercolor.

My favorite medium is watercolor—the oldest painting medium. Chemically, watercolors are pigments made from ground minerals and dyed inert powder, held together generally with gum arabic made from the acacia tree. Watercolors capture luminosity and offer a range equal to and often exceeding that of other mediums. I’ve devoted a page to the history of watercolor here on my website.

On average, how long does it take to complete a work?
The time to create a work varies enormously. Paintings take longer than drawings. Other major factors include the amount of detail and style, number of subjects and size. The time is quite variable, especially since I can only paint for short durations.

Can you explain the process on a portrait commission from start to finish? Which commissions do you enjoy the most?
It can vary by medium—oils and acrylic paintings take longer—yet a watercolor can easily be as time-consuming. First comes the initial contact and commission. I ask many questions of my client to get as much verbal information as possible to determine their needs and hopes. A portrait is special to people and I like to give them that opportunity to co-create in the beginning. Ideally I like to work on a thumbnail sketch and feature detail of a live model, and take photographs of the desired position, and from all angles. From there, I take photos of the subject and retire to my studio to begin working. For out-of-town commissions, I rely entirely on photos—requesting not only the preferred sitting, but also as many photos as possible of the subject to get a more complete feeling for the portrait.

It is hard to distinguish which commissions I like most as “I’ve never met a commission I didn’t like!” I like portraits of men, women, children and pets… the rare and occasional landscape or still life… and respect for the nuances of watercolor seem to outweigh any other medium.

How would you describe your illustration/painting style?
I “play” in every style I’m aware of, but for commissions I generally lean heavily toward “new realism,” with intense detail—at least as much detail as I can muster.

What are your influences? What artists inspire you?
Truthfully, that is the most difficult question. As a child I was amazed by artists like Norman Rockwell, Leger, Wyatt—the work of 1950s realists that I saw in magazines and in museums and galleries. As I matured, the love for these artists continued, but a mountain of other artists flooded in—from Expressionists to Impressionists, late 19th century realists to cubists, Fauves—almost every style and within those styles, many artists. 

My likes increased exponentially—I am a great lover of Monet, Manet and Van Gogh. My tastes jump back to the great 15th century European painters and sculptors. Later came appreciation for watercolor’s resurgence in the 2oth century and on to artists like Dali and other surrealists, and Picasso to Braque. Additionally, Motherwell, Frankenthaler, Pollock and just about every major artist known on the Abstract Expressionist scene—their creativity exploded into my artistic consciousness. Then there are conceptual artists like Christo and Oldenburg. A few of my favorites are the minimalists.

I have to mention the giants in stained glass design and painting from the 13th century to the 20th century—the late, great national treasure, Dick Millard. He was a friend, mentor and wild man spirit who died in March of this year. He is missed by his wife, Vicki, and literally thousands of fans worldwide.

My paintings don’t seem to reflect these many appreciations and love for visual diversity. However, I do think that these various movements expanded awareness and somehow enriched my experience as an artist. Additionally, living and working in California, Arizona, and the southeast has really influenced my work. (Above: Bill created this stained glass painting, “Prayer for Nation & The World,” to honor the 9/11 victims.)

How do you keep your work fresh and how did you come to formulate your style? Does it progress naturally? What is your creative motivation?
In a word—I try, but sometimes fail. I work at seeing things as they are in the moment. As to style, it seems to have matured to some extent. Opening my eyes each morning and scanning the room, I’m motivated and inspired by everything that surrounds me—shape, form, details and color—as much as my awareness can conceive. That wasn’t always a good characteristic—I was often described as a daydreamer in my primary school days. Catching up was swift and exciting at the college level.

What are you working on at present?
I’ve spent several months sketching and thinking about a personal project—something challenging—a young lady, hand draped over the back of a wooden chair, heavily lit from one side, only slight bounce of light on deeply shadowed part of face and form.

In the last couple of months I have worked on two caricature pieces for a niece—one for a mud run benefit that eventually was transferred to their team’s T-shirts. Another project was a caricature of her friend and co-worker’s Bon Voyage party. An occasional simple piece for a family member or friend keeps the cobwebs away. My niece suggested I render the Markley Chapel at Greenville’s 200-year-old Christ Church (right). The original artwork was sold at a silent auction to benefit the church’s school. Additionally, I made a few Giclée prints from the image, as well as notecard packages.

I noticed you have wide range of artwork on the walls in your home. Whose works do you admire and collect?
First, Jim Sitton, who was one of my university professors. He was a master of giant drawings with details, scratches and usually indistinguishable tiny forms of near microscopic size covering an entire piece. I also have a photolithograph by Jim McLean, one of the printing instructors at GSU. I was fortunate to visit China in late 1994 and acquired two contemporary Chinese paintings, one of the “Venice Of China” (an intaglio print), and a colorful primitive interior with several people. Both are outstanding and unfortunately, I do not know the artists. The three week+ trip expanded awareness and amazement of my favorite subject—other people. Photo © Bill Biggers

There are other works—photography by friends, a large print from another. My favorite pieces, which I would love to possess, are Dick Millard’s glass paintings and panels.

Tell me about your work with the Greenville Symphony.
After three interviews over three months, I was awarded the position of both Music Personnel Director and Operations Director. I managed the Symphony’s budget, attended all rehearsals and performances, contracted musicians and coordinated blind auditions. I supervised the Symphony’s music librarian and was responsible to the Music Director-conductor, David Pollitt. I suppose I enjoyed the rehearsals the most—seeing a piece be interpreted, then evolve into a performance. I also contracted numerous guest artist performers until the last few months there. In late 1994 Maestro Pollitt was offered a cultural conducting exchange with the conductor of the Shanghai Symphony. Three people were going and a benefactor paid to have me included. In all, I worked no more than three partial days followed by at least 10 days of travel. We first explored Shanghai, then Beijing, then went north to the emperor’s tombs and the Great Wall. Initially, we landed in Hong Kong, but didn’t explore until our last two days in China. A strong memory was the enormous bird market, spanning alley after alley, with species of birds I’ve never seen before nor since. I also enjoyed the Jade Market in Hong Kong. Outside the tents were old Chinese men with cloths covering the ground and many ancient jade pieces. The harbor in Shanghai was incredibly scenic and beautiful. The Chinese food was remarkable, with little similarity to Chinese food in the U.S.

How does the word passion relate to an artist?
First, I think any work, field or endeavor should done with some passion and not always with the major goal of producing income. If you are good at something, you can be a success in many ways. The key is to find that thing—or things—that jets your juices and stirs your passion enough to make each day an adventure.

If you weren’t an artist what would you be?
That’s easy—a writer and a psychologist.

Describe yourself in three words.
Curious, listener, friend

My Favorite…
Words: Peace & tranquility
Colors: Yellow & blue
Foods: Fish & pizza
Music: Mozart, Lennon, Tyler
Authors: Michener & Dickens, plus a few contemporary authors
Actors: Anthony Hopkins & Javier Bardem
Movies: To Kill A Mockingbird & Schindler’s List

No interview would be complete without the requisite “you’re stranded on a deserted island” question—what five things must you have with you?
Books, music, My Spiritual Path writings, nail clippers, and several pairs of reading and distance glasses (two pair of bifocals)

(Editor’s note: Interesting—he didn’t even mention art supplies! My answer was always something like: cheese, chocolate (never mind how they’re going to be kept fresh), a horde of fine black sharpie markers, a stack of sketchpads, and a guitar for entertainment (I could finally teach myself to play—something I’ve wanted to do for years). Then the obvious question is—why do we not say, “a boat,” so we won’t be stranded any longer!?)

I will never forget: Any slight inkling, step or expansion of awareness, and those whom I’ve loved

I wish I could: No wishes—I like to be surprised.

What is one thing you most want people to remember about you?
I guess, “He lived for a time.”

To see more of Bill’s portrait work, visit www.PortraitsByBiggers.com.

To see more of his glass painting, visit www.BiggersGlassPainting.com.

Both websites were designed by Windy Airey of Windy’s Design Studio.

Bill can be reached at Bill@PortraitsByBiggers.com or WilliamBiggers@gmail.com.





Baker’s Dozen Link Love

3 11 2010

1. Joe McNally: Common Mistakes by Photographers
One of my favorite photographers, Joe McNally, created a list of common mistakes people make when starting out in photography. Go check out this great post here:
http://www.joemcnally.com/blog/2010/11/02/mistakes-2/

2. Larry Becker’s Cheap Shots
Through Scott Kelby’s blog (love him, too!), I learned about Larry Becker and his new DIY blog, Larry’s Cheap Shots. This blog resulted from his regular segment on the photography web-based tv show, DTownTV. He offers great DIY projects and inexpensive solutions to your photographic needs. Visit his regular blog, also a great site, here: http://lbecker.com/blog/

3. Dan Williams, Bird Photographer
I met Dan Williams, bird photographer extraordinaire, when he was exhibiting during a Craftsmen’s Classic Art & Craft Show at the Dulles Expo in Chantilly, Virginia last year. I had the chance to talk with him at length about his photography career, including his choice of equipment—the full frame 24.9mp Sony A900. After seeing his work, I have concluded that there is no one better at this genre—so I’m leaving avian photography to him! His work is clean, graphic and filled with color. He describes his approach to composition in his blog post, Keeping It Simple Can Produce the Best Results, here. Another insightful post, Breaking the Laws of Nature Photography, can be found here. Check out his website here and his blog here.

4. Bob Krist’s Compact Location Lighting Kit
After seeing freelance photographer Bob Krist on the Nikon Creative Lighting System video, I decided I had to put together a compact lighting kit like his. My only change was a cheaper travel case—although now that I see his Stormcase has wheels, I’ve got that on my wishlist again. I already had many of the items; I just needed to add some of the accessories—such as the smaller collapsible light stands and shorter umbrellas. (The video is well worth the price—lighting guru Joe McNally and Bob Krist show the amazing results you can accomplish using Nikon Speedlight flashes on location. Check out the DVD here). Krist works on assignment with magazines such as National Geographic Traveler, Smithsonian and Islands. His website is beautiful—check it out here. I traveled with my newly-assembled kit for the first time when I photographed musician Richard Reed in Providence, RI, earlier this fall. I was on assignment for Cochlear Americas and posted the results of our two photo sessions here. Richard wrote an article for the November/December 2010 issue of the Hearing Loss Magazine, which went to print last month. I’ll be posting a recap on that issue shortly.

5. Erik Gauger’s Notes from the Road
I discovered travel writer and photographer Erik Gauger’s blog a few years ago and have had the pleasure of corresponding with him via e-mail regularly. I will be interviewing him and profiling his career in a future post on this blog, so stay tuned. His website is not only beautiful, it will make you want to hit the road in search of adventure! His blog has garnered accolades: “Unexpected frontier of the travel blogosphere…” —Boston Globe; “Sumptuous Site” —Time Magazine; and “The best-looking blog we’ve seen” —Forbes Magazine. Erik’s blog is definitely a must-see, must-read virtual trip. Find out why at http://www.notesfromtheroad.com/

6. Kolby Kirk’s Travel Journal
I met webmaster/graphic designer/photographer/traveler Kolby Kirk through my blog. Check out his newest blog—The Journal. He has several other websites that can help you plan your own travel adventures. Click here to peruse that list.

7. It’s (K)not Wood
I have a thing for anything faux bois (fake wood), from vases to dishes to table runners, so I love Emilyn Eto and Jonathan Lo’s It’s (K)not Wood, the blog “dedicated to all things faux bois.” Oh, and did I mention I also love anything emblazoned with leaves, trees, twigs, birds, bird eggs, bird nests, or bird feathers, too?

8. The Museum of Forgotten Art Supplies
If you’re an “old school” graphic designer, you’ll appreciate the trip down memory lane in Lou Brooks’ The Museum of Forgotten Art Supplies. Click on any item from “the ghosts of graphic arts past” to relive its use.

9. The Pantone Hotel
On my list of places to rest my weary head, I just added The Pantone Hotel in Brussels, Belgium. For those of you who don’t know what the heck Pantone is, click here.

10. On my nightstand: A Homemade Life
A few weeks ago, I read A Homemade Life: Stories and Recipes from My Kitchen Table, by Molly Wizenberg, the creator of the blog, Orangette. I found myself sniffling in the airport during some of the passages she writes about her dying father, an exuberant gastronomic. Food and memories are intertwined in this short, sweet read. You’ll laugh, you’ll cry…so good, it even made me want to cook—one thing I just don’t do much of, I must confess. Learn more about the book and Wizenberg in this Amazon.com review here. In honor of your father, Molly, I promise to utilize (soon, I promise, soon) my shiny new white KitchenAid mixer—a well-received birthday present last month from my friends Gina, Karen and Rob. I have always thought that if only I had one of these, then I would be a real cook. Guess now I don’t have any excuses to stay out of the kitchen, do I?

11. Matt Bites Blog
I just love food photographer Matt Armendariz’ blog, http://mattbites.com/. His blog tagline reads, “a man obsessed with food, drink & everything in between.” A former graphic designer and art director in the food industry, he is one of the charter members of Martha’s Circle, a selection of lifestyle blogs selected by the editors of Martha Stewart Living. Check out his food & drink, travel and photography portfolios while you’re there. Just reading his recent recipe for Chicken & Potato Patties makes me hungry—oooh, and they include cilantro, one of my favorite herbs!

12. Mark Berkery’s Macro Photography
This site was featured on the “Freshly Pressed” page in WordPress last week—Mark Berkery’s Being Mark blog. His macro photography is jaw-dropping and if you click here, you’ll learn how he gets these amazing shots (it’s not just equipment—he knows technique, too), as well discover that there’s an inexpensive piece of equipment to add to your arsenal to capture images like his—a Raynox Macroscopic Lens. I’ve never heard of this company until now, but was thrilled to find their inexpensive products at Adorama. I first ordered the DCR-250 ($50 + shipping), which allows really high magnification and includes a snap-on universal mount suitable for lens that range from 52mm to 67mm size (I’ll try it first on my Nikkor 105mm micro, but it can be used on any of my lens, macro or not. They can be used on other cameras, too—not just Nikons). After reading the various entries on this Pentax forum here, I decided I also wanted the option of pulling back from my subject, so I also ordered the DCR-150 ($42.95 + shipping). I’ll do some experimenting shortly and will report my findings.

13. And finally, this one is just plain fun!
I learned about HEMA’s site here a few years ago (via graphic designer Chuck Green’s Design Briefs, if I’m not mistaken) and I still think it’s still one of the coolest retail sites online. HEMA is a Dutch department store chain. Unless you’re from the Netherlands, you probably won’t be able to read any of the product names, but wait a few seconds to see the reason this site is so much fun anyway. Do turn up the sound or you’ll miss some of the action. My flight attendant friend Gina has a penchant for visiting grocery stores in her international travels, so I’m sure when she sees this link, she’ll be making plans to patronize HEMA the next time she’s in Amsterdam!





Parents, plants and partying

22 03 2010

Best parents in the world, shown at right. It’s true. It’s really, really true. Wouldn’t trade ’em for nuthin’. Check out the latest photos I’ve posted on our wedding blog here.

Speaking of blogs…check out my dad’s blog, The King of Texas. He waxes rhapsodic about his family, revisits his childhood (with amazing recall for details), comments on current events (political, celebrity, media and more), and aims to right grammatical wrongs (one visitor at a time) with his occasional lessons on the subject. Check out his archives for some of his essays. I introduced him to blogging almost a year ago and he has become a prolific poster. He has always loved to write and it shows in his lengthy and detailed essays. I just knew it would be a great creative outlet for him. I realize I’ve created a monster, but I am so proud of my grasshopper! Whether you agree or disagree on any particular posting, he welcomes feedback of any kind (but thrives on kudos in particular), so don’t hesitate to comment—he always responds.

Out in the garden…my hellebores, snowdrops and crocus plants are in bloom—after a long, cold, way-too-much-snow winter. I predict some flower photos appearing on the blog shortly. Michael and I cleaned up most of the front yard (gathering six bags of debris!) on Thursday and my friend Tom helped me with a good portion of the back yard garden on Friday. There are lots of empty gaps in the garden this year, so there will definitely be some restructuring of the various beds in an effort to refresh things. I bought a slew of bulbs at Home Depot last night for the front yard garden (liatris, crocosmia, tigridia and lilies). I’m waiting to plant when I’m sure there’s no danger of frost! I also want to try out some new perennial choices so I’ll have some new specimens to photograph this year.

Speaking of flower photography…check out my buddy Ed Vatza’s stunning photos here of the elusive Himalayan Blue Poppy, which he photographed at Longwood Gardens recently. Wish these beauties weren’t so temperamental—they would be in my garden in a heartbeat if they were easier to grow!

And on to the partying…Nanda, one of my Garden Club Weedettes, hosted a knitting party late this afternoon (with wonderful Indian munchies). Yours truly was introduced to knitting today. Boy, was that ever a challenge! I think I’ve gotten the hang of it (sorta/kinda), but it’s definitely seems harder than my basic crochet skills. I’ll post a few photos of my newfound knitting friends and my work-in-progress (I think it’s a scarf—hard to tell at this point!) shortly. Sigh…as if I needed another hobby.

© Cindy Dyer. All rights reserved.





Published: A Passion for Purple Flowers

3 03 2010

I recently wrote an article for flowershopnetwork.com for their monthly online newsletter. All but three of the photos in the article were shot by me (shown below); the others were purchased from istockphoto.com. The Flower Shop Network Newsletter is a free monthly e-mail featuring articles based on the knowledge of floral professionals across the country. Once a month, they provide interesting information about all things floral. You can view their newsletter archive and sign up for an e-mail blast here. To read my article, click on the link below:

http://www.flowershopnetwork.com/blog/passion-purple-flowers/





Design Studio: Membership Brochure

28 02 2010

Client: Hearing Loss Association of America (HLAA)
Specs:
8-panel brochure, flat size: 9×16 folds to 4×9; 4-color
Photos
© Cindy Dyer
Status:
Off to print!

From the brochure…
• 36 million people, approximately 17 percent of adults in the United States, have a hearing loss.
• 60 percent of people with hearing loss are between the ages of 21 and 65.
• More than 20 million Americans have hearing loss from noise.
• More than 59,000 military are on disability status for hearing loss from current conflicts.

If you have a hearing loss or know someone who does, consider joining the HLAA. Individual memberships are just $35 per year for the U.S.; $45 for Canada and Mexico. As a member, you’ll receive the informative bimonthly magazine that I design and produce! Click here to learn more.

Want to be featured in Hearing Loss Magazine? If you have a story to tell about yourself or someone else with hearing loss, we’d love to hear from you! Check out the author guidelines on the link here.

HLAA prints articles and information pieces that discuss anything related to hearing loss. Our goal is to educate readers in all aspects of hearing loss, so that they, in turn, can make choices about how they will live their lives as hard of hearing persons. Feature editorial in each issue covers technology, cochlear implants, legislation, HLAA issues (including but not limited to, board of trustees issues, state organizations and chapters, fundraising), medical, psychosocial topics and personal stories.

© Cindy Dyer. All rights reserved.